A Quote by Kate Winslet

You can't be a proper writer without a touch of madness, can you? — © Kate Winslet
You can't be a proper writer without a touch of madness, can you?
In this century the writer has carried on a conversation with madness. We might almost say of the twentieth-century writer that he aspires to madness. Some have made it, of course, and they hold special places in our regard. To a writer, madness is a final distillation of self, a final editing down. It's the drowning out of false voices.
You can't have force structure without proper training, without proper equipment, without proper leadership, without proper funding to conduct exercises and perform maintenance.
If he waits for the ideal moment, he will never set off; he requires a touch of madness to take the next step. The warrior uses that touch of madness. For - in both love and war - it is impossible to foresee everything.
No life is complete without a touch of madness.
There is no great genius without some touch of madness.
No great mind has ever existed without a touch of madness.
I think the big danger of madness is not madness itself, but the habit of madness. What I discovered during the time I spent in the asylum is that I could choose madness and spend my whole life without working, doing nothing, pretending to be mad. It was a very strong temptation.
No great genius has ever existed without some touch of madness.
After playing now for 60 years, it's still very challenging for me to play a simple melody and have it clean and touch the reed at the proper time in the proper way.
Nobody becomes a writer overnight. Well, I'm sure somebody did, but that person's head probably went all asplodey from paroxysms of joy, fear, paranoia, guilt and uncertainty. Celebrities can be born overnight. Writer's can't. Writers are made - forged, really, in a kiln of their own madness and insecurities - over the course of many, many moons. The writer you are when you begin is not the same writer you become.
my belief in the sacrament of the Eucharist is simple: without touch, God is a monologue, an idea, a philosophy; he must touch and be touched, the tongue on flesh, and that touch is the result of the monologues, the idea, the philosophies which led to faith; but in the instant of the touch there is no place for thinking, for talking; the silent touch affirms all that, and goes deeper: it affirms the mysteries of love and mortality.
Genius is neither learned nor acquired. It is knowing without experience. It is risking without fear of failure. It is perception without touch. It is understanding without research. It is certainty without proof. It is ability without practice. It is invention without limitations. It is imagination without boundaries. It is creativity without constraints. It is...extraordinary intelligence!
Being so deeply rooted in one place and culture allows a genuine writer to experiment wildly with the material without ever losing touch with its essence.
... the ordinary is simply the universal observed from the surface, that the direct approach to reality is not without, but within. Touch life anywhereand you will touch universality wherever you touch the earth.
All living things contain a measure of madness that moves them in strange, sometimes inexplicable ways. This madness can be saving; it is part and parcel of the ability to adapt. Without it, no species would survive.
In an age of madness, to expect to be untouched by madness is a form of madness. But the pursuit of sanity can be a form of madness, too
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