A Quote by Kate Winslet
I knew it was going to be important that if I had an audience understand who she was, then all those things had to come from a place that was grounded, as opposed to being tics and manners and twitches. I didn't think it was going to be as rich, perhaps, as if I was going to make it more emotional.
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I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)
We're going to have plenty of work to do, but it's going to be a lot easier than here. There'll be no sorrow, no sickness, no pain, no weariness, no death, no more tears, no more crying. That's certainly going to make things easier. We're going to have rest in Heaven compared to what we've had in this life, but we're also going to have something to do. We'd eventually be unhappy if we didn't!
One of the things I did to make myself feel better is that I kicked up my running even more. I knew that I had to stay active, that I had to keep living as if my life was actually going to unfold naturally because when you stop, when you freeze, and you think about it, that's when the demons come and can drag you down.
My mom knew we were going to call me Kiki by birth. I think she had the nickname before she had my name, and she then found the name that would allow that.
If you're going to make a film, and you're going to have dialogue, and you want to take the characters seriously, let's understand what they're saying. If there is going to be technical dialogue, let's render it in a way that the audience can understand it and expect that it's not going to be so far over their heads.
At Swarthmore, the Dean of Women was very opposed to women going into science or engineering - so opposed that if she couldn't talk a girl out of it, she just never had anything more to do with her for the four years she was there.
I think that knowing where you're going is important, and it's not like, when Robert says that, it's not like we know what every episode of the next five, four, five, six seasons of the show is going to be. I think Matt Weiner knew how Mad Men was going to end. Vince Gilligan knew how Breaking Bad was going to end. Marc Cherry knew how Desperate Housewives was going to end. Along the way, the process of crafting those stories ... You don't know what the road, what twists and turns that road is going to take to ultimately get you there.
I knew what I didn't want, and I knew whatever it was going to be it had to be believable and it had to come from me and I had to drive it. The way I write is very honest and when I think of the music that I listened to growing up, I loved it because I believed it.
I think the biggest adjustment I've made before coming here was going from High A to Double A. I was going in facing pitchers who had more experience and knew how to throw all their stuff for strikes and in hitter's counts, things like that.
But I think we both knew, even then, that what we had was something even more rare, and even more meaningful. I was going to be his friend, and was going to show him possibilities. And he, in turn, would become someone I could trust more than myself.
That movie was my girlfriend. That was my girl." I knew there was going to be initial anger. As a matter of fact, when I was deciding to do Footloose that was one of the first things that I had to realize. First of all, I had to figure out a human connection to it but then I also had to reconcile that I was going to get beat up a little bit on this a little bit.
I knew immediately that she was going to be in my life forever. I didn't know in what capacity, but I knew that I had found someone who was going to be close to me for a long time. We became great friends fast.
I was not going to be an actor. I was an engineer in physics. That's what I did: I graduated with a physics degree, and I had become a little bit distressed that I'd have to work for somebody - anybody! And I thought, "I'm not going to make a mark on anything. If I can't express myself, then I don't know what the heck I'm going to do with this life." I think it was just one of those germs that said, "No, no, no, you've got to say things. You've got to tell people things. You've got to express your opinion in this life, because that's how you started."
For me, the ages between 9 and 12 were great because it was before you wore any masks, and you had some autonomy in the world. You had some freedom, and you felt you had unlimited ambition. It's when you thought, 'I'm going to write plays. I'm going to be president. I'm going to do this; I'm going to do that.' And then it all falls apart.
We also knew [ me and Ewan McGregor] that, on a practical level, if there was going to be that much sex in the film [Young Adam] - which there clearly had to be because sex is the meat and potatoes of the thing - it had to be varied for the audience, because it's important to keep the audience living in it.
There was no identity crisis in the life of Jesus Christ. He knew who He was. He knew where He had come from, and why he was here. And he knew where He was going. And when you are that liberated, then you can serve.
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