A Quote by Kate Winslet
There wasn't very much time between wrapping Revolutionary Road and starting The Reader. It was about five and a half months, which, for me, isn't that long. Some actors are very good at just going from one thing to another but I've always been a bit useless at that. The preparation time is important for me.
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My time with Arsenal at the beginning was very difficult. Adaptation is very important and it was very long for me. But Arsene Wenger helped me during five or six months.
If you're a writer and you are at all inclined to speak as a Christian in some way, you realize very quickly that the conventional language is pretty much useless. It takes a long time to get past that, or it has taken me a long time. People in conventional Christianity have spoken lightly and sometimes frivolously of God for a long time. It's a word that needs to be used sparingly, in my opinion.
I've been making music for a long time, since I was very young, but at the same time, I'm still exploring what works for me. I feel like I'm just starting out.
Just coming to terms with the fact that I got to play April Wheeler [Revolutionary Road] and Hanna Schmitz [The Reader] in one year, let alone in my lifetime. I'm very, very aware of how rare that is as an opportunity for any one person. I can't tell you how much I've been able to take away from these experiences creatively. I really, really learned so much about acting, about myself... all of those things. It's difficult to talk about the actor's process without sounding like an arrogant asshole but they really were very challenging.
Just supposing," he said, "just supposing" --he didn't know what was coming next, so he thought he'd just sit back and listen--"that there was some extraordinary way in which you were very important to me, and that, though you didn't know it, I was very important to you, but it all went for nothing because we only had five miles and I was a stupid idiot at knowing how to say something very important to someone I've only just met and not crash into lorries a the same time, what would you say..." He paused, helplessly, and looked at her. "I should do.
I have been talking about that for a long time, but it's very, very important to me [to unify the country.]
I'm very pessimistic about adaptations from one medium to another. I've got a very kind of primitive, Puritan view of it. I tend to think that if something was derived for one medium, then there's no real immediate reason to think that it's necessarily going to be as good or better if adapted into another one. There have been very good stage plays that have made some very good films. But there are not so many differences between the theater and the cinema as there are between the cinema and, say, reading a book or reading a comic.
I think that the exchange is very important. Before I did the exhibition in Shanghai, I was a judge for the John Moores Painting Prize and that was very interesting for me, because some of the judges are Chinese and some are British, and we look at the work together. It was fascinating that most of the time we were in complete agreement, but some of the time we were not. People send their works from all over China. For a foreigner, this gave me a very good picture about what is happening in China and its art today.
Before I had kids I'd go out on the road for months and months at a time, but now I don't think I'd want to do that anymore, because I'd miss too much time at home, so it's just a matter of monitoring how much work that I do and how much time I'm on the road.
Sixty-five days principle photography, five-day weeks, which is the only way I'll work. With my cinematographer Russell Boyd, we take as much time as possible before pre-production, looking at stills. The next most important thing: he will come to me and talk about lenses. And I'll see his plan, which is generally great, and I might talk about how the light will be, handheld or not? I talk very freely, and try not to talk specifically, just talk around it, because it can unlock all sorts of things.
I learned from Ridley [Scott] how to come out of the trailer at a fast walk and make your decisions and keep it going. We were very much on time and under budget, as they say. That was a very important thing for me and very satisfactory.
I've had my wife traveling with me full time for four or five years, which has been huge for me, and we have our dog traveling with me as well, which I think is a really important part. We do travel so much, and we're away from home so often, it makes it feel like it's home a little bit, too.
A lot of people don't feel like doing very much. Or one project is really all they can do at one time. I can have five or six things going at the same time. It doesn't bother me or tire me, but sometimes it does rattle me.
I happen to believe that this election year [2016] is...one of the most important elections that we're going to face in a very long time. I know we hear from time to time that every election is important. This one is very, very important.
But the time in Portugal was very important for me because I've always been comfortable with the ball, but I think I proved that even more there because it was a very important thing in the game.
I do love the road, because for me, the road is very comfortable, and it's very much what I've always wanted to do. It's one of the most appealing things about comedy for me, so I do really have an affection for it.
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