A Quote by Kate Winslet

There are moments to indulge and enjoy, but I always know when it's time to go home and wash my knickers. — © Kate Winslet
There are moments to indulge and enjoy, but I always know when it's time to go home and wash my knickers.
People come into work and actually go home to their families. They want to go there and explore and have a good time, but they also want to go home, which is the best kind of working environment. You go in and do your job, and then you go home and enjoy your life.
People think you go home and be a celeb, sipping Laurent-Perrier and listening to classical music. You don't. You go home and wash some pants in the sink.
If you want a candidate who agrees with you 100 percent of the time, I'll give you a suggestion: Go home and look in the mirror. You are the only person you agree with 100 percent of the time. You'll always know who I am, you'll always know what I believe and you'll always know where I stand.
When I first started working on 'Secret Diary,' I definitely felt like I needed to shape up. The idea of being in my knickers on TV was a great incentive! Now I try to eat right, and I go to Bikram yoga three or four times a week. I have my 'naughty' days, and I indulge in pizza and cake, but so what!
I always go home to Buffalo in the offseason. I really enjoy my home town.
I hadn't had a perfect moment yet. And it's very important for me to have perfect moments in exotic countries like that... it kind of lets you know when it's time to go home.
I go up to San Francisco on holidays and spend time with my family there, but whenever I go to Japan, I enjoy every moment. I try to go back there every year or so. It's a phenomenal place, and I absolutely love it. It's not my second home; it is my home. Whenever I go back, I feel very connected with Japan.
I don't know how anybody can work at home. I know I can't. It's just... there's too much to do at the house, and now, of course, I have a daughter that's at home, and she's always a draw. I can always drop what I'm doing and go play with her, and I do that all day.
I like colourful knickers, but most importantly a great pair of knickers should be taken off with more joy than they were put on.
There's an old poem by Neruda that I've always been captivated by, and one of the lines in it has stuck with me ever since the first time I read it. It says "love is so short, forgetting is so long." It's a line I've related to in my saddest moments, when I needed to know someone else had felt that exact same way. And when we're trying to move on, the moments we always go back to aren't the mundane ones. They are the moments you saw sparks that weren't really there, felt stars aligning without having any proof, saw your future before it happened, and then saw it slip away without any warning.
I think about how we can't always live in the moment because moments pass, and when we're lucky, we have the kind of moments that we can't help wanting to go back to. We think about them, remember how they felt, and when more time passes we tell stories of these moments that are worth reliving.
I keep telling the players to enjoy the good moments. There are too many moments in this world currently that are pretty miserable and downbeat, so if there is light at certain times, I want them to enjoy it.
When I go home, the first thing I do is wash the dishes. It feels real and it feels like home and it's humbling, it's something you don't do when you're living in a hotel, everyone cleaning up after you.
His laughter echoed through my mind. I have a beautiful woman in my arms, and am taking her back to my home, where she and I will be alone and able to indulge whatever fantasies we choose. What is there not to enjoy?
My whole plan in my head has always been, if I go a year without acting, it's time to go home; it's time to go back to Montreal.
I have detected disturbances in the wash.' 'The wash?' 'The space-time wash.' 'Are we talking about some sort of Vogon laundromat, or what are we talking about?' 'Eddies in the space-time continuum.' 'Ah...is he. Is he.' 'What?' 'Er, who is Eddy, then, exactly?
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