A Quote by Kate Winslet
It's often assumed that British actors read Shakespeare and sonnets as we're going to bed at night and we're all very familiar with it.
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When I was an undergraduate I had very badly annotated editions of Shakespeare's sonnets, all of which left out the important fact that will has a sexual sense in Shakespeare's sonnets.
It's not often that I read about actors that I'm going to be meeting. I get to read articles about actors who were going to come in, so I get to see someone and say, "Oh, I read that I was going to see you. It's very nice to see you."
The public is absolutely fascinated by aging. They don't want to get old. And you can see - read Shakespeare. Read the sonnets. They're all about aging.
There is hope for a man who has never read Malory or Boswell or Tristam Shandy or Shakespeare's Sonnets: but what can you do with a man who says he "has read" them, meaning he has read them once, and thinks that this settles the matter?
I've stopped acting, but I don't think I've finished using my voice. I could, and probably will, record the whole of Shakespeare's sonnets. They live at the side of my bed and are my constant companions.
A lot of American actors when they do Shakespeare put on a phoney English accent and it drives me crazy. You're always fighting against the idea that only the British know how to do Shakespeare.
If kids like a picture book, they're going to read it at least 50 times, and their parents are going to have to read it with them. Read anything that often, and even minor imperfections start to feel like gravel in the bed.
I read usually in the morning, in my kitchen at breakfast - a short reading time, usually poetry. I read in bed every night. I usually get in bed pretty early with a book, and I read until I can't prop my eyes open anymore - sometimes rather late.
I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it's interesting that there's this gaping hole in the repertoire in the American theater, which is Shakespeare. It's hardly ever done, compared to how often it's done in other companies, not just Britain. Someone from the Roundabout Theater Company - I said, "You never do Shakespeare." And he said, "Yes, we're not very good at it." And I thought, "What a terrible thing to say.".
I haven't read Ibsen, Shaw, Shakespeare - except 'The Merchant of Venice' in ninth grade. I'm not familiar with 'Death of a Salesman.' I haven't read Tennessee Williams.
You can look at the words on this paper and, because they are the ones I am used to choosing, they will show you the shape of me. I am here to be read in the way you might read the impression of my weight in a bed after a still night, a restless night, a night not alone.
A lot of people have a fear of Shakespeare. Even actors do. People are like, "Oh, I won't go and see Shakespeare because the language is so hard," but it is. When you read it on the page, you go, "What?! What does that mean?!" If you go to a Shakespeare play and you've never been, you sit there and go, "I'm an idiot! I don't get it!"
I am a close friend of Robert Loggia. And I just love how, with actors, there's the screen persona. Here is Robert, known for his portrayal of many characters, including gangsters. But in real life, he is elegant and erudite. He sits in the garden reading the sonnets of William Shakespeare.
We all had such larks. Yes, it was hard work but the friendships and the genuine respect we had for one another, that side I shall miss greatly. I've stopped acting, but I don't think I've finished using my voice. I could, and probably will, record the whole of Shakespeare's sonnets. They live at the side of my bed and are my constant companions.
With the publishing of The Basic Eight, it was often assumed that I was really immature and callow, and with the publishing of Watch Your Mouth, it was assumed that I was oversexualized, and with Lemony Snicket, it's often assumed that I'm erudite and depressed. But all the voices more or less came naturally to me.
Elinor Lipman is to tweets what Shakespeare is to sonnets.
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