A Quote by Kate Zambreno

If one writes the rules then one can contradict oneself. It's all about rhetoric, about official narratives. — © Kate Zambreno
If one writes the rules then one can contradict oneself. It's all about rhetoric, about official narratives.
My role in the government was not to think about narratives and consistency with narratives, but think of the human consequences of rules.
Must you write complete sentences each time, every time? Perish the thought. If your work consists only of fragments and floating clauses, the Grammar Police aren't going to come and take you away. Even William Strunk, that Mussolini of rhetoric, recognized the delicious pliability of language. "It is an old observation," he writes, "that the best writers sometimes disregard the rules of rhetoric." Yet he goes on to add this thought, which I urge you to consider: "Unless he is certain of doing well, [the writer] will probably do best to follow the rules."
Intelligent, heartfelt stories that tell a whole new set of truths about growing up American. Julie Orringer writes with virtuosity and depth about the fears, cruelties, and humiliations of childhood, but then does that rarest, and more difficult, thing: writes equally beautifully about the moments of victory and transcendence.
It is a sign of a dull nature to occupy oneself deeply in matters that concern the body; for instance, to be over much occupied about exercise, about eating and drinking, about easing oneself, about sexual intercourse.
I believe in broken, fractured, complicated narratives, but I believe in narratives as a vehicle for truth, not simply as a form of entertainment, though I love entertainment, but also a way of conveying what needs to be conveyed about the works that I care about.
What Fox News has become in 2020 is a conclusion of decades of right wing media and rhetoric against the rest of the media. In the '90s it was about media bias. In the 2000s it was about media bias. Now, the rhetoric is so much more extreme. It's about enemies of the people.
Generally, I start by observing the existing and popular narratives in my social spheres and media, and the pressures I face in my own life experiences. As someone who is "newly" trans, I am constantly thinking about what the dominant narratives are around transness, how my work can push against these narratives, and how it already falls into these traps.
If something's public then it seems like the important thing is the person in that public. And the notion of rhetoric. I went to Jesuit schools that focused on first there's grammar, then there's rhetoric, and rhetoric's usually seen as a kind of degraded method, because you're trying to persuade.
The fear for oneself, that one can do something about. Upon it one can turn the light of awareness. But when one is no longer worrying about oneself, then the fear comes for other people and, after that, for the world. There are no fearless people, only fearless moments.
We have rules about the environment and rules about worker safety and rules about consumer protection.
A travel book is about someone who goes somewhere, travels on the ground, sees something and spends quite a lot of time doing it, and has a hard time, and then comes back and writes about it. It's not about inventing.
I didn't have a perfect model, but I wanted to try to blend my own personal reflections and experiences with this broader canvas to see how a lot of the narratives we have about economy and foreign policy got stuck. Because we have these categories of liberal, conservative, free marketer, open government - all these stereotypes about our politics and the categories we try to put things in are inadequate to this sort of complex, ambiguous, sometimes contradictory experience we have as ordinary people and that I have as an elected official.
I have rules about eating, exercising and rules about staying positive. And these rules are sacred to me.
The man who writes about himself and his own time is the only man who writes about all people and about all time.
The writer who aims at producing the platitudes which are "not for an age, but for all time" has his reward in being unreadable inall ages.... The man who writes about himself and his own time is the only sort of man who writes about all people and about all time.
I don't care about the rules, if I don't break the rules at least 10x every song then I'm not doing my job.
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