A Quote by Katee Sackhoff
This business is hard. People and producers and studios and finance guys get caught up in saying, "Women don't sell movies," or "This person doesn't sell foreign," or "You have to attach guys first," or "People don't want to see women do this." I've heard those things so many times that I've actually heard myself say them, a number of times.
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There were many low points and times I doubted myself at work. I've heard no many more times than I've heard yes and there have been long periods in between jobs where money became very tight and I wondered how I was going to pay my bills. I've had to borrow money from friends and family to get by sometimes. That's the part of the 'overnight' success that people don't see. The struggle is real.
I look at John Lee Hooker and Muddy Waters, guys who had a fantastic longevity, and I learned something from them. They didn't try to sell records. They weren't saying, 'Ok, what can I write, what can I do in the studio that will sell?' They were just doing their thing, and people picked up on it. I like the idea of that.
The backstage stuff is not for everybody. I'm very hands on; I like to train and teach young guys now because there's so many of them. There are certain ways to do things, to get crowd reactions and sell your emotions and sell stories.
Dating is like trying to catch a fish. Some guys go to the gym and have huge muscles and six-pack abs, and that attracts a lot of women. Other guys, they go and learn how to become pick-up artists so they charm their way into a woman's heart, at least for the night. Then there are guys like myself, who don't have either of those, but we have some level of generosity and can treat women with respect and open a door for them or buy them gifts. And surprisingly, buying presents happens to be one of the languages of love! And it's one that many women relate to.
Producers and studios know what sells. It's nice to be one of the guys that can help sell a movie by taking his shirt off.
Women are much more discriminating. I think both types of people are equally interested in having an attractive partner. But women essentially give the thumbs up to only half as many guys as guys giving the thumbs up to women.
I heard guys say they got into rock and roll to pick up women. I didn't get into rock to pick up women, but I sure adapted.
I've heard people on panels say, 'You must have a Web site. You need to tweet. Repeat the title of your book constantly,' and I just want to say, 'Shut up. Everything you're saying is wrong.' People will know instantly if your only motivation for tweeting is to sell books.
The first couple of times I went out and heard my voice or heard people listening when I wasn't the one playing it for them, it felt good.
I think that women of color use social media to make our voices heard with or without the amplification of white women. I also think that, many times, when white women want our support, they use an umbrella of 'women supporting women' and forget that they didn't lend the same kind of support.
Sport industry is not women versus men. My biggest champions a lot of the times in my career have been those men. Not that women necessarily wouldn't, but if there are no women in the room and the door is locked, it takes a guy to unlock the door for you and let you in. We have to get better at working together in that regard, as opposed to feeling like we need to crash the door down. You don't need to bring out the ax; sometimes you can just knock. And sometimes guys will open the door for you, but for so many women who felt like they had to fight so hard, we forget that they may be allies.
The people who've done well within the [Hollywood] system are the people whose instincts, whose desires [are in natural alignement with those of the producers] - who want to make the kind of movies that producers want to produce. People who don't succeed - people who've had long, bad times; like [Jean] Renoir, for example, who I think was the best director, ever - are the people who didn't want to make the kind of pictures that producers want to make. Producers didn't want to make a Renoir picture, even if it was a success.
Even some of us who make movies underestimate their influence abroad. American movies sell American culture. Foreigners want to see American movies. But that's also why so many foreign governments and groups object to them.
I see sometimes how guys may make a buffoon of themselves to sell a few more tickets. They create this image, and when it's all said and done, it's like everything falls out from under them. They have no stability. I never wanted to be one of those guys.
I am not somebody who just says let's beat up on the bad guys. No. I want to summon the good guys and give people the incentives and opportunities to actually grow this economy, put more people to work, get the middle class really feeling like they're back in business.
I wouldn't agree with people saying Lil Wayne is wack, you know what I mean? Because I've heard Lil Wayne records many times and he say a lot of clever things.
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