A Quote by Katee Sackhoff
I looked at my parents when I was 17, and I said, 'I'm moving to L.A.'
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As much as my parents were worried about me moving to London at 17, they could see that I was hungry to find my path. And it probably helped that they saw me succeeding at it, slowly but surely.
I said '17 - right now, this year, "'17 is going to be a disaster." I'm very good at this stuff.
Clary grinned at Luke. “So you’re not moving to Idris, I take it?” “Nah,” he said. He looked as happy as she’d ever seen him. “The pizza here is terrible.
I didn't understand art, until one day Tom Brady took me to the museum, and we looked at the Picasso, and he said, 'Rob, that's a touchdown.' We looked at the Rembrandt and Tom said, 'Rob, that's another touchdown.' We looked at the Vermeer and Tom said, 'Rob, that's another touchdown.' And I said, 'No, Tom, that's just a field goal.'
Just personally, I've been attached to 'On the Road' since 2007 and it was the greatest thing in my life when I got cast in it. I couldn't believe it. When I was 17 and read the book, I looked it up on IMDb and it said that Francis Ford Coppola was going to direct it.
One man said, "I looked at my brother through the microscope of criticism, and I said, "How coarse my brother is." Then I looked at my brother through the telescope of scorn, and I said, "How small my brother is." Then I looked into the mirror of truth and I said, "How like me my brother is."
But they love each other," Clary said, appalled. "Isn't that what love means? That you're supposed to be there for the other person to turn to, no matter what?" Luke looked toward the river, at the dark water moving slowly under the light of the autumn moon. "Sometimes, Clary," he said, "love just isn't enough.
In 1951 I took my first art course. And one day I looked over my shoulder and there was this tall gentleman standing, very well-dressed and groomed, and he asked, "What is your name? I don't know you. What is your major?" I said history. And he looked at my drawing and looked at me and said, "You don't belong over there; you belong here." He was James A. Porter.
People have the problem of denial. This is one of the things I learned in Lebanon. Everybody who left Beirut when the war started, including my parents, said, 'Oh, its temporary.' It lasted 17 years! People tend to underestimate the gravity of these situations. That's how they work.
I was a very lucky child because at the age of 16, 17 years old, my parents would buy me clothes from Yves Saint Laurent, which was an incredible luxury at the time, but I was attracted to that whole world. I had a pretty nice little wardrobe by the age of 17.
My parents were severe alcoholics. When I was about 17 years old, I finally left home. It wasn't a choice that I made; it was basically like my parents were gone.
Once when I was cooking I burned my arm with scalding water. I went to the Emergency Room of the Hospital. When the doctor came in he looked at me and looked at my chart, and looked at me and looked at my chart, then looked at me again and said, "I loved your show!" He told me that when he was doing his internship he would come home every night stressed out, but he would watch a late night rerun of the Andy Griffith Show and relax and fall asleep. He said, "I wouldn't be a doctor, if it wasn't for the Andy Griffith Show".
What an amazing day," Bree said, stretching in her seat. "Thanks to me and my weather charm." I said lightly. Robbie and Hunter both looked at me in alarm. "You didn't," Said Robbie. "You didn't," Said Hunter. I was enjoying this. "Maybe I did, maybe I didn't." Hunter looked upset. "You can't be serious!" Cahn't, I thought. Cahn too.
My approach to newspapers was based on the idea that when you looked at the front page you said: 'Good heavens', when you looked at the middle page you said: 'Holy smoke', and by the time you got to the back pagewell, I'd have to utter a profanity to show how exciting it was.
I was talking to a Zen master the other day and he said, "You shall be my disciple."I looked at him and said, "Who was Buddha's teacher?" He looked at me in a very odd way for a moment and then he burst into laughter and handed me a piece of clover.
I have this theory about us. When we started writing our own songs, we were 17 years old. When you're 17, you write songs for other 17-year-olds. We stopped growing musically when we were 17. We still write songs for 17-year-olds.
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