A Quote by Katee Sackhoff

I've never really had the opportunity to play something that's a complete departure from me yet. — © Katee Sackhoff
I've never really had the opportunity to play something that's a complete departure from me yet.
There's a little bit of me in all of the characters I've played. I've never really had the opportunity to play something that's a complete departure from me.
Nine Inch Nails was an experiment with me in discipline. I realized when I was 23 that I had never really tried anything. Schoolwork came easy to me. I learned to play piano effortlessly. I was coasting. I realized that I was afraid to really, really try something, 100 percent, because I had never reached true failure.
I play knowing that there is somebody watching me out there in the crowd that has never had the opportunity to watch a game before and it might be the only chance they ever to see one, live in person. Michael Jordan once said that in an interview, and I really took it to heart; whenever I step on the floor, I play for that person.
I never felt I could be a complete professional without having won the British Open. It was something you had to do to complete your career.
I never really had the chance to play the kind of music I wanted to play. It was always just classical. It had its limits. I play piano now and again in the new forms of music that I actually want to play, but at the time, it was something that I just kind of moved past.
Mitch and I have known each other for such a long time, and we're both so pleased to be given this opportunity at this point in our lives to play characters that we've never really had a chance to play before. It's a great gift. Plus we're wise enough to appreciate it.
There will always be something down there that says, 'All right, you won the Bellator title but you never won the UFC title.' I've thought about that. I've never had the opportunity, and yes, a lot of it is my fault... but I never got that opportunity.
There is something I feel when I animate something; you can never really understand the character you're animating unless you've had the opportunity to turn it around. Once you've done that, you know it is a three-dimensional object.
I've always explored things that people find a bit more freakish, like free jazz, and I'd gotten to a point where the live music I was making was really hectic and turning much more confrontational. So when I started working on Everything Ecstatic, that was very normal for me. I think it was a departure, but people read it as an escape from something, whereas every record I do is, I feel, a departure.
You rarely come across the complete footballer, but Scholes is as close to it as you can get. One of my regrets is that the opportunity to play alongside him never presented itself during my career.
When I was in college, at Wheaton-I inadvertently got cast in a play, and I had a really great time doing it. I didnt know I had any knack for it, but I really enjoyed myself. It was a complete surprise.
I'm ecstatic that I had the opportunity to play in the American Basketball Association. It was an opportunity to be part of something new and exciting and I think everyone who played would tell you the same thing.
To have the opportunity to complete the slam at the Open at St Andrews, the home of golf, is something I will never ever forget.
I play knowing that there is somebody watching me out there in the crowd that has never had the opportunity to watch a game before and it might be the only chance they ever to see one, live in person. Michael Jordan once said that in an interview, and I really took it to heart, when ever I step on the floor I play for that person. Also, I always know my grandfather's out there watching.
I've never really had a chance to play a bad guy, and that's something I've always really, really wanted to do. I wanted to experience that really dark side of a person.
Arrival in the world is really a departure and that, which we call departure, is only a return.
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