A Quote by Katee Sackhoff

A lot of shows fly under the radar for the first couple seasons and then become successful. It doesn't necessarily have any bearing on the success of the show or how much the network is behind it.
I would love to be a guest on a talk show or a panel that shows women who have been on reality shows who've had success, to prove to audiences that you don't have to be a fool to become successful.
Rebuilding a network is a slow, brick-by-brick process. It's not just creating a hit show - it's building shows to back up that hit show; it's creating an identity of success so that people want their shows on your network.
Success is not a pie with a limited number of pieces. The success of others has very little bearing on your success. You and everyone you know can become successful without anyone suffering setbacks, harm, or downturns.
I think that by now, in the very beginning when I first joined the show, General Landry was like a new kid in school. I was coming into a situation I didn't really know much about, and now, after a couple of years, the character's kind of mellowed and gotten comfortable working at the command center and very comfortable with his troops. What they always do with these shows is they always leave them open-ended. The SG-1 franchise has been so successful for the network, that they always want to keep it open, an option to do it again in some way, whether that's a movie or a series, or whatever.
'The Practice' is one of my favorite shows of all time, and the first few seasons of that show were amazing, and then when they started winning the big case, it just got less interesting.
Did you ever see a chameleon catch a fly? The chameleon gets behind the fly and remains motionless for some time, then he advances very slowly and gently, first putting forward one leg and then the other. At last, when well within reach, he darts his tongue and the fly disappears. England is the chameleon and I am that fly.
Who alone suffers suffers most i' th' mind, Leaving free things and happy shows behind; But then the mind much sufferance doth o'erskip When grief hath mates, and bearing fellowship.
My Food Network shows, 'Emeril Live' and 'Essence of Emeril,' are not in production right now, but I wouldn't say that I'm necessarily leaving Food Network. I have a lot of television still in me. I enjoy teaching people, so it's just a matter of time before I do something new.
I think the success of a talk show depends on how true it is to the personality of the person hosting it. The shows I really admire, like 'Oprah' and 'Ellen,' are distinctively like their hosts, so I think my show will be successful only if we try to stay consistent to my own sense of myself.
When I look back at my first few seasons in the NBA, we didn't dominate as a team. There were a lot of nights where we took a beating and got whacked across the head. But we got better along the way, and we started to taste the success. With that came the pressure and expectations to be successful.
I didn't become a commercially successful artist by design, and actually I think that commercially successful just means, if you analyse it, that a lot of people like you. It's become a dirty word, and I don't necessarily think it needs to be.
I started working at Bravo in 2005, when I was offered a job by Lauren Zalaznick, the network's chairman. She encouraged me to start a blog. I wrote behind-the-scenes gossip about 'Battle of the Network Reality Stars,' the first show I took on as head of current programming.
People hear from Donald Trump that he's such an extraordinary success. They didn't know about Trump airlines and Trump mortgages and Trump vitamin network and Trump steaks and Trump Taj Mahal. They didn't realize a lot of small people have been crushed by Donald Trump's rise to become a very wealthy man, successful financially, but this is a guy who has not been a uniform success.
The reason I like 'Breaking Bad,' which is still probably my favorite show, is Walter White. You watch him transform, and that's so fascinating. And I think. a lot of TV shows that aren't successful, it's because the characters become stagnant.
The territory has changed, and a lot of really good actors want to do cable series, but they don't necessarily want to do network TV and make the commitment of 22 episodes or whatever. They find that the liberties and the creative freedoms that you get in cable is more interesting to them than the censorship of a network show.
TV shows and stuff give people in the show business very bad names. I'm not going to name any shows, but a lot of shows.
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