A Quote by Katee Sackhoff

I read YA novels constantly, so I really want to be in a young adult rom-com, but I worry that I'm aging into the parent role, which is a little scary. — © Katee Sackhoff
I read YA novels constantly, so I really want to be in a young adult rom-com, but I worry that I'm aging into the parent role, which is a little scary.
The YA category is an entirely new one, and seems to have more to do with readability than with age group or theme. The adult YA readers I know do actually consistently say that they are looking for an easy read, a fun read, an unchallenging read.
When I was young, there was no such thing as YA. You simply went from reading children's novels to reading adult novels. So one year, I was reading Tove Jansson, and the next year, I was reading Stephen King.
I've published over 100 books - and that is divided about 50/50 adult and young adult. Lately, I have been writing more YA, which is such a great genre to write it. I don't have a favourite (I usually say it's the last book I've written), but certain books do stick in the mind. My very first YA novel, The Children of Lir, will always be special to me, and, of course The Alchemyst because it was a series I'd wanted to write for ages.
While I'm writing YA, I can't read YA, and the same with adult. I usually only listen to music while I'm writing YA.
All of my books, which are supposedly, I mean they're called YA novels, my hope is that adults would find no reason not to read them if they read them.
The secret of keeping young is to read children's books. You read the books they write for little children and you'll keep young. You read novels, philosophy, stuff like that and it makes you feel old.
Romance novels are my favorite books to read. I write young adult romances, and am so happy to be promoting this wonderful genre.
The public is absolutely fascinated by aging. They don't want to get old. And you can see - read Shakespeare. Read the sonnets. They're all about aging.
I think that's what distinguishes YA from adult fiction - it's not just the age of the characters, but it's the sense of hope. Because I don't think I've ever read a YA book that feels completely hopeless at the end.
In interviews, the first question I get in America is always: 'What do you do to stay young?' I do nothing. I don't think aging is a problem ... I'm so surprised that the emphasis on aging here is on physical decay, when aging brings such incredible freedom. Now what I want most is laughs. I don't want to hurt anybody by laughing -- there is no meanness to it. I just want to laugh.
I am trying to come up with some "adult" reads, but I mostly read young adult fiction (my job), which, by the way is excellent. I will post about some of my favorites that should appeal to adult readers
To me there's no difference between writing YA and adult except that in YA I make the book a little shorter and the protagonists are teens. The difference is in the readers.
I focus a little more on pacing when I write books in the young adult category, and of course there's the great American fear of anything sexual, so that's somewhat backed off in YA.
I had to audition for Fandango. When I read the script, the role that was interesting - so everyone thought - was the role that Costner played. He was the cool guy. And I read the script, and my representation at the time said, "That's the role you should read for." And I was like, "Really? How about I read for this other role." And they went, "Well, you're not going to get that role."
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
When I was young, about 18 or 19, I read all the Dostoyevsky novels, which made me want to go to St. Petersburg. So I went, and I was so inspired.
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