A Quote by Katerine Savard

My best race is the 100 fly, but for the 50 you just have to go really fast one way so I really like it too. It's not the same strategy. For the 50 I just breathed once, so it's really different from the 100 fly.
Marriage isn't a 50-50 proposition very often. It's more like 100-0 one moment and 0-100 the next.
You want 100% and 100% to make 200, instead of 50 and 50 making 100.
Too bad brooms can't really fly. Now if you miss the bus you can't just go in your room and fly to school with a nimbus two thousand!
This pro football player once sent me 100 teddy bears, asking me to fly to one of his games and go to dinner. I didn't do it - it was just too weird.
I've heard people say putting is 50 percent technique and 50 percent mental. I really believe it is 50 percent technique and 90 percent positive thinking, see, but that adds up to 140 percent, which is why nobody is 100 percent sure how to putt.
Let me tell you about Australia. It's really, really, really, far from wherever you live on Earth. You fly and you fly and you fly. Then relativity takes over and you get younger and younger. And when you land, you're a gleam in your father's eye.
I have 50 rejected TV show ideas. I think when I hit 100, then I'll feel like I really started to make it.
I just love the fact that all my pals are basically looked after. You know, we have these amazing deals, these guys split 50 percent. We have ownership 50 percent, all the bonuses 50 percent, and everybody's going to be alright. So going forward into the future, every one of these Millarworld projects, as we call them, 50 percent partners on everything. So it's just a really happy environment to be working in.
Some of the best advice I got from a close friend is marriage is always looked at from the world as 50/50 as to working together to make that 100 percent.
I really feel like females have to go 50 extra miles. Not just one - 50 extra miles to be accepted or taken seriously.
I go and film 50 people in Israel, 50 people in Russia, and 50 people in Romania, in Paris, because I really like to get some particles of something real.
What I'm really worried about is war. Will the former rich countries really accept a completely changed world economy, and a shift of power away from where it has been the last 50 to 100 to 150 years, back to Asia?
Whether a studio partner is 50/50 with us, or we do 100%, or we do 75% or 90% and for the most part they just distribute, whether that's Warner Brothers or now Universal, it's always a unique situation. Every movie is almost like a start up company.
I really thought the process and what I'm used to doing on film would be different. I thought that because I wouldn't have the same amount of time, I wouldn't do all of the tracks that I like to do or the lighting that it takes. And then, I got there and realized that I don't know any other way. I just do all that stuff really, really fast and under a lot of stress.
I used to obsess on critical reactions to my films, and it's really not a healthy way to live your life, so my new take on it is simply, 'I hope people like it!' I'm not going to be looking at the tomato meter for at least a year! I was very lucky on '50/50' that most critics really liked it.
When we first opened in 2007 no one really knew about macarons. We sold maybe 50 to 100 a day.
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