A Quote by Katey Sagal

Going to set was always a great release. — © Katey Sagal
Going to set was always a great release.
There's always going to be the cooler-clubbers who are going to harvest a lot of fish, but I think the hard-core bass fishermen release just about everything they catch these days. Years ago, I think people were willing to release smaller fish, but now I think they're willing to release them all, and that's the important part.
Every time you do a take on a movie, you're not sure if it's going to succeed. Even if you have a great cast, like we had, every scene you're kind of waiting for the release. 'Oh, yes; it happened. We got it!' There's always the possibility that it's just not going to work.
In the course of my movies, the financing and the releasing were always the tough part. Because I loved the creative, I loved the writing, I loved the making of it. Because I guess, I never had the giant blockbuster, I never got that sort of ease for the next one. So the next one was always, "how am I going to do this?" And that thing was sort of always the thing that made me a little chickenshit to go into the next one. The writing of it was great and the making of it was great, but how am I going to release this thing and am I going to find a studio?
A love revolution is forming far out to sea like a series of waves that build on one another until the whole earth is consumed. The first set of waves releases a quickening anointing. The second set of waves, a love revolution. The third set of waves will sweep across the world and release a worldwide revival. I believe that we can position ourselves to catch this incoming set of waves that will release to you a "quickening spirit" or "quickening anointing." It is being released - now. Catch the wave!
To me, running is therapy. It's mood-altering and gets my endorphins going. It's also a great release and a great energy builder.
I've never even seen a great set fight or a great set meltdown. I seem to always be on these incredibly relaxed sets.
What you have to go through to release a film is probably the most arduous set of tasks - compared to all the other things an artist can release, it's probably the most labor - intensive, especially if you don't have any money and not a large team.
Well we never set out to write a concept album. I've always used song writing as a therapeutic release so in that process, I just do my best to be honest with myself and look inside myself and whatever comes out usually just reflects or depicts what I'm going through in my life at that time.
I left school and couldn't find acting work, so I started going to clubs where you could do stand-up. I've always improvised, and stand-up was this great release. All of a sudden, it was just me and the audience.
When I first released 'The One And Only' nobody knew it was going to be so big. I just thought, 'Oh, this is what happens when you release a record? Brilliant! Let's release another.'
Writing was always a release for me, a great joy. It wasn't work.
One of the benefits of doing low-budget movies is you don't have to release them wide to recoup. You can release it in a smaller way, make your money back, and keep going.
I'm massively obsessed with Frank Ocean, so it's always great when he decides to release music.
That's one of the beauties of James Lapine and Stephen Sondheim and their work together. They have such a depth to the emotional exploration of the story that they're telling, but there's always a release, and the release is a laugh.
You try things creatively all the time, and while you want every one of them to be great, and you set out to do that, that's not always going to end up being the case.
I've always improvised, and stand-up was this great release. All of a sudden, it was just me and the audience.
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