A Quote by Katey Sagal
I tend to agree with my husband, that to continue the conversation about something that is an important topic, particularly now, which is that of gun control, through his narrative, which is actually what's happened, I don't think it was a conscious decision of, "That's what we're going to do," but that's what seems to have happened, and that's not a bad thing.
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I think it will bring back discussion about Columbine. When Columbine happened it was the topic of the week, and we shouldn't have just moved on to something else. Whether people like the film or not, it's going to make them think about what happened.
That something happened to you is of no importance to anyone, not even to you. The important thing about you is what you choose to make happen - your values and choices. That which happened by accident - what family you were born into, in what country, and where you went to school - is totally unimportant.
Something may have happened before, and yet this thing that happened just after may be so important that you don't even know about the thing that happened before and when you tell your story to yourself, or to someone else, it's going to be told not on the basis necessarily of the time course, but rather on the basis of how it was valued by you.
People love having a home. People love going to their house and sleeping in their bedroom and having a conversation around the dinner table. You don't particularly think of that conversation as a private conversation; you just think of it as something that happened in your home.
The notion that religion can actually be something... attached to progressivism seems so bizarre. But all you have to say is that Abolition wouldn't have happened without it. The way in which African Americans managed to achieve a degree of self-determination was through the church.
I think you’re freaked about what happened at Cambridge. I think it scared you." “I’ve been through worse, Bex,” I said, joining her on the lower stairs. “Way worse.” “Oh, not the attack.” Bex raised her finger in contradiction. “What happened before the attack. I think you saw the future. Which is kind of freaky when - two months ago - you didn’t think you were going to have one.
The plot is very important because writers have to play fair with their readers, but no one would care about the plot if the character work wasn't there. So, basically every book I work on starts with me thinking not just about the bad thing that's going to happen, but how that bad thing is going to ripple through the community, the family of the victim, and the lives of the investigators. I am keenly aware when I'm working that the crimes I am writing about have happened to real people. I take that very seriously.
Once you get into fitness you do notice your diet and notice that certain foods don't quite agree with you. I don't think it was a conscious decision, I think it organically happened over time, but I do watch what I eat and try to eat healthy.
When I'm in the water I feel as though nothing bad has happened. I think about the fish, how they don't know what's going on. Their world is unchanged. Actually it's probably better now to be a tuna or a sardine or a salmon. Less chance of ending up as somebody's lunch.
People tend to set themselves up in patterns; something happens, it hurts them, then something similar happens, and - it's happened again! It seems much bigger then, and they get worried and go through life looking for that thing, and because they're so concerned and looking for it, when anything that happens resembles that thing, they're sure it's happening again. So sometimes people think things are repeating even when they're not.
There seems to me now to be the notion that you send something to a journal or an agent and months go by. It seems to me like that is a new piece of bad manners. Probably. Generally I assume that anything that happens now happened to Adam and Eve also.
It's hard when your first thing is something everyone loves. Actually, that never happened to me. I was lucky that my first film, which is actually the best reviewed of all my films, didn't have that success.
I'm interested in memory because it's a filter through which we see our lives, and because it's foggy and obscure, the opportunities for self-deception are there. In the end, as a writer, I'm more interested in what people tell themselves happened rather than what actually happened.
I always try to write about something that's actually happened or it doesn't always have to have happened to me, but it has to have happened at some point. So every single lyric that you hear comes from some kind of story that I've come across in my life. I like to think that that maybe helps me mean it a bit more and if you don't mean it, it ceases to be soul music.
In this kind of situation, we tend to cling to his convictions, we believe that, by magic, we are going to recover. Then we agree to drive less good cars and we are fatally more exposed. It is what finally happened to me with Ensign.
The comments I most appreciate come from ordinary readers who've happened on one of my books at some time of stress in their lives, and who actually credit the book with helping them through a bad time. It's happened a few times in forty years.
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