A Quote by Katey Sagal

And I like to interpret music. So I think it's all interpretive. — © Katey Sagal
And I like to interpret music. So I think it's all interpretive.
Musicians are also interpretive artists and we are just as creative as painters and writers. We interpret in a way that expresses ourselves.
We all - whether naturalists, atheists, Buddhists, or Christians - see the world through the grid of an interpretive framework - and ultimately this interpretive framework is religious in nature, even if not allied with a particular institutional religion.
I pay tribute to the writing always. The writer is a creative artist and the director is an interpretive artist and the actors are interpretive. You take zero and make it into something, that's always amazing to me.
I think I work much the same way I always have. I'm trying to interpret something emotionally visually. I'm reading the brief or article, or listening to the music, and deciding where that sends me, and what would it look like.
Because for me, '60s pop music is amongst the most complicated or complex music because it has so many resonances which strike you. The music itself is often simple, but the way that I interpret it, or the way I think it's interpreted culturally, is very complex.
I was kind of sweet kid, according my mother, and my recollections. Thoughtful and good, but kind of alone - although I didn't interpret it that way, as such. Children never interpret these things. They think they understand logically.
Music's free and music's for everyone to enjoy and express and interpret. It transcends countries and times and decades.
A sober, devout man will interpret 'God's will' soberly and devoutly. A fanatic, with bloodshot mind, will interpret 'God's will' fanatically. Men of extreme, illogical views will interpret 'God's will' in eccentric fashion. Kindly, charitable, generous men will interpret 'God's will' according to their character.
I sometimes wonder, the tendency for anybody, especially when you're with friends and you're in the trenches, is to laugh at the stuff that you interpret as ridiculous or silly, and to grouch about the things that you interpret as not being good. That to me isn't morale, that's just like getting through the day.
Maybe it's just me being lazy but I just don't like describing my music or style or anything, I just like letting people interpret it.
An actor and a [theatre] director are both what I would call interpreters of work. We interpret a work, just as a musician will interpret a composer's work, we interpret the work of a playwright. We are servants of the theatre and I've always believed that. We must serve what has been written, that's what we're there for.
I did not like that name "world music" in the beginning. I think that African music must get more respect than to be put in a ghetto like that. We have something to give to others. When you look to how African music is built, when you understand this kind of music, you can understand that a lot of all this modern music that you are hearing in the world has similarities to African music. It's like the origin of a lot of kinds of music.
I think that one reasons I like Brett Kavanaugh is he was clearly one that was gonna interpret the Constitution.
I kind of always wanted my own music to just sound like, like me, I suppose, like if I was music it would be the music I make, I think.
We not only interpret the character of events... we may also interpret our interpretations.
Criticism can be wonderful, especially in making connections in an interpretive way. But by applying theories randomly, it's an interesting exercise, but I don't think it illuminates the literature.
This site uses cookies to ensure you get the best experience. More info...
Got it!