A Quote by Katey Sagal

I made a living being a background singer for years. — © Katey Sagal
I made a living being a background singer for years.
I've had days here and there where I would get discouraged because I wasn't a big star, but I've made a living ever since I was 27. Not a great living, but enough for me. I think actually being able to pay my rent and eat and perform is enough, and I did that for many years. Then I had some good years in there, too, where I made pretty good money.
Coming from a middle class background, I faced a lot of hardships during my initial years in Mumbai. I did not have much money and had to sing jingles and bhajans to survive. But those years taught me that a singer should be versatile.
I think that the whole experience of living, breathing, thinking, and being lost in wonderment is, for me, that of being an artist. And the idea of identifying as someone who is just living and existing and making objects or paintings-somehow I moved away from that years and years ago.
I used to want to be a singer and a musician for years, from 6 years old to today. I'm not really good, but in time I could be. I'm more of a singer than anything.
I have made a very good living, for more than 30 years, by being underestimated.
I loved everything about show business, meeting the stars, the whole ambience. I was living every young kid's dream. I was told a pop singer's life was three years, but I was still making money seven years later.
One of the things about me is that I actually had marginally middle-class living from writing. For years and years, I actually wrote so much through the '70s and '80s that I made a living. And very rarely have I had to take another job. And now it's impossible for anybody coming up to make such a living. They've pissed in the temple, you know?
Being singer is different than being an actor, where you call up sources from your own experience that you can apply to whatever Shakespeare drama you're in. But an actor is pretending to be somebody, a singer isn't. And that's the difference. Singers today have to sing songs where there's very little emotion involved. That and the fact that they have to sing hit records from years gone by doesn't leave a lot of room for any kind of intelligent creativity.
This country is going - be living better ten years from now than it is now. It will be living better in 20 years from now than ten years from now. The ingredients that made this country, you know, the miracle of the world - I mean we had a seven for one improvement in the average American standard of living in the 20th century.
When your dad makes a living as a children's singer, you figure, 'I can do anything.' He made up his own job and did it.
I don't think I'm a great actress. I think I can act or I can react. Coming from a musical background and being a dramatic singer and writer, when I write stuff I really feel it. So I sing it like it comes from here. That's how I do the acting.
That's the nice thing about being in Mr. Big, is I'm not only the guitar player. I'm the background singer, and so I get to do both of those things. Sometimes we even switch instruments and I get to be the drummer.
I wasn't a great background singer.
I've never wanted to be famous. That has never been a part of any dream. I do remember being little and thinking I might want to be a singer. But not a famous singer - just, like, a singer.
Paris Singer had vastly more to do with shaping my character than Mother had; although Mother made innumerable sacrifices for me, and Paris Singer made none. I wanted to be like him.
Many of the people I've worked with over the years came from a sketch-comedy background or an improv background, and I've learned a lot from them.
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