A Quote by Katharine Cornell

I was nervous from the very beginning, and it got worse as the years went on. I was conscientious and wanted to do more, always, than I was able. I don't think, when I was playing, that I was ever happy - beginning at 4 o'clock any afternoon.
There's always a level where you think you can improve and do better. Certainly at the beginning... I did four years of straight theater without ever having a part in a movie, and I remember being far more nervous on a film set than I was on the stage. It took a while for that to become less so.
My goal from the very beginning was just to write good songs that don't require any production to be felt or understood. I wanted to be able to sit in a room with a guitar and play the song from beginning to end and have it be as impactful as if you heard the studio version with all the bells and whistles.
Im in a very enviable position, being able to work like this 45 years later. Its always beginning! I never have a sense of finishing up, just new things beginning. When I die, theyre going to carry me off a stage.
You need more than a beginning if you're going to start a book. If all you have is a beginning, then once you've written that beginning, you have nowhere to go.
I think I come under the singer/songwriter badge. I've always written songs right from the very beginning. Because of my style of playing people tend of me more of a guitar player than a singer sometimes.
I think from the very beginning with 'We Are Young,' there was never any question about where we wanted the song to go and what we wanted it to sound like. And we knew that we wanted it to be big, we wanted it to be booming over the speakers at an arena or something.
We are the beginning ... We always have been. This time, let it be more than a beginning.
I've had to ban my mum from coming to see me play. She gets so nervous before any show. I've always got a few nerves but she's so much worse than me. You'd think she'd be able to handle that kind of situation. After all, she is a concert pianist.
Racism is worse than ever. Violence is worse than ever. The economy's worse than ever. Unemployment's worse than ever. And it's Democrats that have been running the show, with the first African-American president at the top of the heap, and it didn't get any better?
I always wanted to be a scientist. I don't really have any writer friends. The process of being a writer is much more interior than being a scientist, because science is so reactionary. I think that all research scientists think of themselves as belonging to a grand tradition, building on work that has been worked on since the very beginning of science itself. Whereas I'm not sure writers think of themselves in the same way.
A Thousand Pardons began at the beginning. I wanted it to be one continuous, almost breathless kind of story. In order to do that, it's really hard not to begin at the beginning. There's such a chain of consequence to everything that happens to main characters - it's very hard to break it apart and still be able to hold the plot in your head.
At the very beginning, I was a page at Letterman, and I freelanced for any place that would let me write any word. I wanted to do this so badly. Then when I got a tiny bit of success, I was petrified that I was going to lose it.
Misha's importance and distinctiveness are beginning to be noticed, there's beginning to be some kind of rip-tide here that will soon become a wave of recognition for a book that the world is beginning to catch up to... We weren't ready before. We'd better be ready now. Because it's the 21st century, any minute now, and that means that Misha's time has come. In more ways than one.
The artist is always beginning. Any work of art which is not a beginning, an invention, a discovery is of little worth.
I'm very nervous in the beginning and then I get in there and start doing my work and I feel more comfortable.
I always wanted to act. I am very passionate about the art. So when I got the opportunity, I was more than happy.
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