A Quote by Katharine Cornell

The audience may not have felt it was right, and the author may have felt a little upset, but every part I've played I've twisted around in my mind until I've made it into something of my own. Looking back over it, I didn't deliberately sit down and plan like that, but it does read like it.
I was a lonely, frightened little fat kid who felt there was something deeply wrong with me because I didn't feel like I was the gender I'd been assigned. I felt there was something wrong with me, something sick and twisted inside me, something very very bad about me. And everything I read backed that up.
I don't outline. I sit down to write, and I take the ride. If something starts to not feel right, I go back to the last place that felt like jazz to me.
Right before I got 'Sons of Anarchy,' I actually quit acting for 18 months and didn't read a single script, and I wrote a film. I felt like I needed to do something that I had control over, as an artist, and also just do something where I felt like I had some control over my life, as just a human, out in the world.
Right before I got 'Sons of Anarchy,' I actually quit acting for 18 months and didnt read a single script, and I wrote a film. I felt like I needed to do something that I had control over, as an artist, and also just do something where I felt like I had some control over my life, as just a human, out in the world.
When I was 13 they were saying your album won't come out until your sweet 16. I felt really frustrated because that felt like forever from then and I felt like I was ready then. Looking back I wasn't ready.
Honestly, I never felt like I wasn't an artist on my own. I always felt like the music I made was mine, whether it was part of a collaboration with people.
I had been played at left back, right back, and I just felt like I wasn't developing as a player. I saw the opportunity to join Tottenham and I took it, because I felt it was the best decision for all parties.
A culture-bearing book, like a mule, bears the culture on its back. No one should sit down to write one deliberately. Culture-bearing books appear almost accidentally, like a sudden surge in the stock market. There are books of high quality that are a part of the culture, but that is not the same. They are a part of it. They aren't carrying it anywhere. They may talk about insanity sympathetically, for example, because that's the standard cultural attitude. But they don't carry any suggestion that insanity might be something other than sickness or degeneracy.
Something in my gut twisted so hard that it felt like I was being tickled by an invisible hand, and it took me a moment to realize what it was. Hope. It had been so long since I'd felt it that the sensation was like something living inside me, something wonderful waiting to break free, just like I was.
For so long, it was just my secret. It burned inside me, and I felt like I was carrying something important, something that made me who I was and made me different from everybody else. I took it with me everywhere, and there was never a moment when I wasn't aware of it. It was like I was totally awake, like I could feel every nerve ending in my body. Sometimes my skin would almost hurt from the force of it, that's how strong it was. Like my whole body was buzzing or something. I felt almost, I don't know, noble, like a medieval knight or something, carrying this secret love around with me.
When I go back to NFL functions today, I feel a bit on the outside looking in. I played 13 years in the NFL, and I loved it - made a Pro Bowl and went to the playoffs - but I always felt like I was having to knock the door down to get in.
There are performances in which the people who have the best muscle skills and musical history may be on the stage, but it's not? - ?like a Dead show is not like a usual sit-down performance; the audience does participate.
There is one mind common to all individual men. Every man is an inlet to the same and to all of the same. He that is once admitted to the right of reason is made a freeman of the whole estate. What Plato has thought, he may think; what a saint has felt, he may feel; what at any time has befallen any man, he can understand. Who hath access to this universal mind is a party to all that is or can be done, for this is the only and sovereign agent
We [with Rick Rubin] would focus on the ones that we did like, that felt right and sounded right. And if I didn't like the performance on that song, I would keep trying it and do take after take until it felt comfortable with me and felt that it was coming out of me and my guitar and my voice as one, that it was right for my soul.
There was a little part of me that always felt like I was going to be an actress, but I never acted when I was growing up. I was a dancer. That's all I did, all day, all my life. Maybe this was just where I was meant to be, and somehow I ended up here, but it just felt right. As soon as I started acting, it just felt like it was meant to be.
I think as a young person, leaving high school or college, you're like, 'All right, all right, enough already.' But now there's a part of me that would like to go back and relish those moments when you could sit down and just... read a book.
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