A Quote by Katharine Elizabeth Fullerton Gerould

Originality usually amounts only to plagiarizing something unfamiliar. — © Katharine Elizabeth Fullerton Gerould
Originality usually amounts only to plagiarizing something unfamiliar.
What seems natural to us is probably just something familiar in a long tradition that has forgotten the unfamiliar source from which it arose. And yet this unfamiliar source once struck man as strange and caused him to think and to wonder.
I think true originality is perpetual. It's always rolling along. True originality is not like this award or trophy you get if you do something weird. It's with you if you have it, and it's still rolling along somewhere, you just gotta go find it. It takes time to reach that point, and understand true originality... I think we all can find it.
I admire anyone who can come up with something original. But not originality alone, because there can be originality in stupidity, with no musical description of any emotion or any beauty the man has seen, or any kind of life he has lived.
You make sexiness strong by balancing it out: something familiar with something unfamiliar, something masculine with something feminine, something streamlined with something rococo. It's a Yin and Yang. Women are made of layers, your mood shifts, no one is neither one extreme nor the other.
I think that when you pay tribute and are citing, not only through naming the authors but also through the acknowledgement of the form, that you are in no way plagiarizing.
I actively pursue experiences that are unlike any others that I've experienced and cultures that I don't know and unfamiliar places and unfamiliar history and things like that.
Death is with you all the time; you get deeper in it as you move towards it, but it's not unfamiliar to you. It's always been there, so what becomes unfamiliar to you when you pass away from the moment is really life.
Beware originality. In women fashion originality can lead to carnival.
Originality is not seen in single words or even in sentences. Originality is the sum total of a man's thinking or his writing.
You can't be the director of education and plagiarizing.
Fears that formaldehyde from vaccines may cause cancer are similar to fears of mercury and aluminum, in that they coalesce around miniscule amounts of the substance in question, amounts considerably smaller than amounts from other common sources of exposure to the same substance.
Knowing how to paint and to use one's colors rightly has not any connection with originality. This originality consists in properly expressing your own impressions.
I think literature can make familiar the unfamiliar, and the unfamiliar is very much about the dispossessed, and so the value of literature seems to me to go into the stories that not everybody wants to tell.
I present classics in an unfamiliar way or unfamiliar ingredients and preparations in a classical way.
I don't seek discomfort. But, very often, you realise that what you fear is actually quite ephemeral; something's different, something's unfamiliar; therefore, it must be worse.
Wherein lies a poet's claim to originality? That he invents his incidents? No. That he was present when his episodes had their birth? No. That he was first to repeat them? No. None of these things has any value. He confers on them their only originality that has any value, and that is his way of telling them.
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