A Quote by Katharine Hepburn

Silence the artist and you have silenced the most articulate voice the people have. — © Katharine Hepburn
Silence the artist and you have silenced the most articulate voice the people have.
There are different qualities of silence. There's the silence that sustains us, as women, that nourishes us, the silence where I believe our true voice, our authentic voice, dwells. But there's also the silence that censors us, that tells us what we have to say does not want to be heard, should not be heard, has no value. And that if we speak, it will be at our own peril. This kind of silence is deadly. This kind of silence is deadening to who we are as women. And when a woman is silenced, the world is silenced. When a woman speaks, there is an opening.
The voice of the intelligence is drowned out by the roar of fear. It is ignored by the voice of desire. It is contradicted by the voice of shame. It is biased by hate and extinguished by anger. Most of all it is silenced by ignorance.
All Profound things, and emotions of things are preceded and attended by Silence... Silence is the general consecration of the universe. Silence is the invisible laying on of the Divine Pontiff's hands upon the world. Silence is at once the most harmless and the most awful thing in all nature. It speaks of the Reserved Forces of Fate. Silence is the only Voice of our God.
The voice of the intelligence is soft and weak, said Freud. It is drowned out by the roar of fear. It is ignored by the voice of desire. It is contradicted by the voice of shame. It is hissed away by hate, and extinguished by anger. Most of all it is silenced by ignorance.
To hold silence and to be silenced are two very different experiences. And so another theme emerges, that of light and shadow. When we share our voice, who benefits? When we withhold, who benefits? And what are the consequences and costs of both?
Well, one of the things we're supposed to be able to do as playwrights is write from a place of empathy, get into another character's shoes and experience things both mundane and tragic. And people don't - like me right now - people aren't necessarily the most eloquent when trying to express their emotions. I guess I feel as a playwright that those people deserve a voice, too, a voice that isn't so articulate that they themselves can no longer identify with it.
It was simply this: silence is not a neutral position, whatever your intentions. Silence automatically supports the status quo. When you are a presence that lacks a voice, you create an empty space that another voice - a dominating voice that knows no boundaries - is only too happy to fill.
I think to be in exile is a curse, and you need to turn it into a blessing. You've been thrown into exile to die, really, to silence you so that your voice cannot come home. And so my whole life has been dedicated to saying, 'I will not be silenced.'
For a country to be looted, its people's voice must be silenced.
I think to be in exile is a curse, and you need to turn it into a blessing. Youve been thrown into exile to die, really, to silence you so that your voice cannot come home. And so my whole life has been dedicated to saying, I will not be silenced.
We are articulate, but we are not particularly conversational. An Englishman won't talk for the sake of talking. He doesn't mind silence. But after the silence, he sometimes says something.
The loudest voice in the room, sometimes, is the absent voice of the silenced.
The voice of universe can be silenced but the voice of writers cannot be.
Silence is the demon's trap, and the more one is silenced, the more terrible the demon; but silence is also the divinity's mutual understanding with the single individual.
To ignore or use silence is a cruel tool. Hence this quote: Silence is all we dread; there's ransom in a voice; but silence is infinity.
I don't enjoy hearing the sound of my voice. The most important things for me are impossible to articulate extemporaneously.
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