A Quote by Katharine Hepburn

The terrible thing about acting in the theater is that you have to do it at night. — © Katharine Hepburn
The terrible thing about acting in the theater is that you have to do it at night.
Chicago theater vs. New York theater. There's just nothing to say about it really. If you've seen Chicago theater, you know that the work is true to what is there on the page. It's not trying to present itself with some sort of flashy, concept-based thing. It's about the work, and it's about the acting you're about to watch. So acting-based theater feels like it was born there to me.
The beautiful thing about theater is every night is an opportunity to incorporate what you discovered the night before.
I went to theater school in France, and when I finished I thought I would never go back to acting again. I don't want to be acting in theater. It's not for me. I'm sick of all this theater world, all these actors, and all that.
The terrible thing about acting is the stops and starts.
In theater acting, you leave that night and what it was is what it was.
The great thing about doing theater is that you get to do it better the next night.
I was always interested in acting, but in my high school sports was the cool thing to be part of, and I was still very into being cool. So I played a lot of basketball and football. But I always had that want to be in theater and to be a part of theater arts. But in my school, it was just a really nerdy thing to be a part of. Everyone in my school wore bowler hats - they were always on, always acting, and all so big. I was like, "I can't be that", even though I wanted to be.
I was a huge theater geek growing up, and that was not the easiest thing in the world, especially growing up in Chicago, where sports are really the norm. I was always off to the theater at night, from 7 years old on. Friends there in the Midwest who could talk to you about the idiosyncrasies of 'Pippin' were few and far between.
At the moment, my trajectory isn't to think about acting. I'm absolutely devoted to The Imaginarium, our projects and directing. And watching and enabling other actors do their thing in our studio is hugely rewarding. I expect at some point I'll probably want to go back on stage and do some theater, because I've not done theater in 10 years.
My first real acting gig was probably playing Mamillius in my mother's 'Winter's Tale.' My mom and dad are both in theater, so I grew up acting and being a little theater brat as well.
Zach found himself remembering something he'd heard Soledad and Leo saying the previous night, about healing. That it was mysterious. That it took time. And that Lucy was just at the beginning. That a terrible thing had happened - two terrible things, really - but they were now over. And that Lucy would be okay, in the end.
I got serious about performing, and I got serious about acting. It's very funny; singing has always been a very separate thing for me - until I went to college. I just studied musical theater because I was like, 'That means I can study voice and acting in the same major, and I won't have to double major.' Now I do musicals for a living.
I went to performing arts high school, and I took dance and acting every day. Then, I went to Marymount Manhattan College and I have a B.A. in acting, with a concentration in theater performance and a minor in musical theater. I studied there for three years.
The discipline of live theater - doing the same perfect thing night after night, eight times a week - never ceases to amaze me
Acting... honestly, I'm so uncomfortable and so awkward that I could never think about setting foot in a theater room or acting class.
I was raised in the theater and I started acting when I was nine. To me, the idea of being an actor was about playing different characters and being a chameleon. That's why I was in the theater.
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