A Quote by Katharine Hepburn
I thought, can you think of any really good reason not to do it? Except that, oh, I'm so shy, or oh, my private life, or oh, are they going to find out how boring I am? You know? And that was the only reason now, in a sense, not to do television. Because it certainly is a method of expression, which has to be accepted as these things come along.
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Oh! that look of love!" continued he, between his teeth, as he bolted himself into his own private room. "And that cursed lie; which showed some terrible shame in the background, to be kept from the light in which I thought she lived perpetually! Oh, Margaret, Margaret! Mother, how you have tortured me! Oh! Margaret, could you not have loved me? I am but uncouth and hard, but I would never have led you into any falsehood for me.
It is easy to see things in retrospect. But I was ignorant then of everything but my own happiness, and I don’t know what else to say except that life itself seemed very magical in those days: a web of symbol, coincidence, premonition, omen. Everything, somehow, fit together; some sly and benevolent Providence was revealing itself by degrees and I felt myself trembling on the brink of a fabulous discovery, as though any morning it was all going to come together–my future, my past, the whole of my life–and I was going to sit up in bed like a thunderbolt and say oh! oh! oh!
One of the things that I love when I go to a film or when I'm reading some book or whatever, is to be told a secret I thought only I knew and then someone says, "Oh my gosh, you know, too." And film can take us into private moments in a way that the theater, I think, kind of can't, and that's one of the reasons I like doing films. And the way a book can is that these little secrets and the private things that go on in our minds that maybe we haven't shared with anyone, and then someone writes it or shows it to you in a film, you think, "Oh, that's me. Oh my God, that's me, I have that secret."
I know a good story from a bad story. But when you have a really good story and they make it bad, I'll say to my wife, "Oh, tonight, I'm going to enjoy watching television because I did great, and wait until you see this." And then, they put it on and it's like - oh, that's not so good. They are fake news.
But along with all of that it was, "Oh, isn't he a great storyteller? Oh, it's that why I married him? Isn't he handsome? Oh, what am I going to make for dinner today?" I put all of that as a part of [Roses's from "Fences"] inner everyday monologue so, by the time he tells he that news and all of that I feel that it's there already.
Literary modernism kind of grew out of a sense that, “Oh my god! I’m telling a story! Oh, that can’t be the case, because I’m a clever person. I’m a literary person! What am I going to do to distinguish myself? I know! I’ll write Ulysses.”
Don't you love it when people in school are like, “I'm a bad test taker”? You mean, you're stupid. Oh, you struggle with that part where we find out what you know? Oh. No, no, I can totally relate. See, because I'm a brilliant painter, minus my God-awful brushstrokes. Oh, how the masterpiece is crystal up here, but once paint hits canvas, I develop Parkinson's.
I come up with new ambitions all the time - and the coolest thing is, I think of something I want to do, and I don't really imagine it as "Oh, I've never done that." I think of it as, "Oh, I haven't done that yet." I literally believe I'm going to do everything I set out to do, which is a pretty amazing feeling.
Oh, man, oh how I wish I didn't smoke or drink to reason with my head.
How fair doth Nature
Appear again!
How bright the sunbeams!
How smiles the plain!
The flow'rs are bursting
From ev'ry bough,
And thousand voices
Each bush yields now.
And joy and gladness
Fill ev'ry breast!
Oh earth!-oh sunlight!
Oh rapture blest!
Oh love! oh loved one!
People run away, pull their hair, go off in different directions, nodding their heads and going, "Oh, God." I am slightly disheveled, I think. I'm really pleased that I am, because otherwise I could be in a really, really dull and boring place now, as a musician, at least.
He's brilliant. At first, I thought, 'Oh, is he going to be Hollywood stud-like?' But he's a really kind, wonderful person. He said to me one day early in the making of the movie, 'You know, I was kind of worried about you'. He thought I was going to be a perfect skin, which I am certainly not. It didn't take long for Leo to crack and see who I really am, and we became very close. but, I must say, he is absolutely gorgeous.
The thing I hate most is false modesty. The artists who are, like, "Oh, you know, I'm really not that good. Oh, I can't believe I'm here." I find it vaguely sinister, even.
The thing I hate most is false modesty. The artists who are, like, 'Oh, you know, I'm really not that good. Oh, I can't believe I'm here.' I find it vaguely sinister, even.
Sometimes what happens I think is that actors finish a movie and they go, oh my god, I'm never going to work again, even big huge actors, and so they'll take something thinking that something else will never come along. But for me, I freak out - because I'm a bit of a workaholic - the second I finish a movie going oh my god, what am I going to do, but I can start writing the next day so it doesn't force me to make a bad choice acting-wise.
The moment in the account of Adam and Eve in the book of Genesis is when they realize they're naked and try and cover themselves with fig leaves. That seemed to me a perfect allegory of what happened in the 20th century with regard to literary modernism. Literary modernism grew out of a sense that, “Oh my god! I'm telling a story! Oh, that can't be the case, because I'm a clever person. I'm a literary person! What am I going to do to distinguish myself?...a lot of modernism does seem to come out of a fear of being thought an ordinary storyteller.
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