A Quote by Katharine Hepburn

It's a new low for actresses when you have to wonder what is between her ears instead of her legs. — © Katharine Hepburn
It's a new low for actresses when you have to wonder what is between her ears instead of her legs.
She really started to cry, and the next thing I knew, I was kissing her all over - anywhere - her eyes, her nose, her forehead, her eyebrows, and all, her ears - her whole face except her mouth and all.
Ama wipes her hands on her apron, looks up at our old roof with new eyes, and lifts the baby from his basket. She twirls him in the air, her skirts flying around her ankles the way the clouds swirl around the mountain cap--her laughter fresh and strange and musical to my ears.
And she's feeling like her worth is between her legs.
She tried to act as though it were nothing to go to the library alone. But her happiness betrayed her. Her smile could not be restrained, and it spread from her tightly pressed mouth, to her round cheeks, almost to the hair ribbons tied in perky bows over her ears.
I missed the sound of her shuffling her homework while I listened to music on her bed. I missed the cold of her feet against my legs when she climbed into bed. I missed the shape of her shadow where it fell across the page of my book. I missed the smell of her hair and the sound of her breath and my Rilke on her nightstand and her wet towel thrown over the back of her desk chair. It felt like I should be sated after having a whole day with her, but it just made me miss her more.
A Western woman is not her brother's or her father's property. She's just herself. She can choose her own lifestyle. But in a Muslim family, the honor of the man is between the legs of a woman.
As her sons have seen her: the mother in patriarchy: controlling, erotic, castrating, heart-suffering, guilt-ridden, and guilt-provoking; a marble brow, a huge breast, an avid cave; between her legs snakes, swamp-grass, or teeth; on her lap a helpless infant or a martyred son. She exists for one purpose: to bear and nourish the son.
She sat leaning back in her chair, looking ahead, knowing that he was as aware of her as she was of him. She found pleasure in the special self-consciousness it gave her. When she crossed her legs, when she leaned on her arm against the window sill, when she brushed her hair off her forehead - every movement of her body was underscored by a feeling the unadmitted words for which were: Is he seeing it?
We found a great rhythm. Contractions started kicking in. I sat there with her, right between her legs. We got tribal on it, we danced to it! I was DJ-ing this Brazilian music.
Marisa! Marisa!” The cry was torn from Lord Asriel, and with the snow leopard beside her, with a roaring in her ears, Lyra’s mother stood and found her footing and leapt with all her heart, to hurl herself against the angel and her daemon and her dying lover, and seize those beating wings, and bear them all down together into the abyss.
Where there is a woman there is magic. If there is a moon falling from her mouth, she is a woman who knows her magic, who can share or not share her powers. A woman with a moon falling from her mouth, roses between her legs and tiaras of Spanish moss, this woman is a consort of the spirits.
A story a friend told me about being in New York and meeting this Latin-lover kind of guy. They went up to her hotel room, and the guy kind of pounced on her and told her to spread her legs, shouting, "Surrender the pink! Surrender the pink!" That's where it's from.
The artist and the mother are vehicles, not originators. They don't create the new life, they only bear it. This is why birth is such a humbling experience. The new mom weeps in awe at the little miracle in her arms. She knows it came out of her but not from her, through her but not of her.
Mine eyes Were not in fault, for she was beautiful; Mine ears, that heard her flattery; nor my heart, That thought her like her seeming. It had been vicious To have mistrusted her.
I love her bare legs from a distance. When she's standing by a pool. When she's facing the water, thinking. Her legs are white as watermelon rind, veined blue from cold. There's that 'H' shape behind her knees. The H trembles softly with the swimming-water cold.
A Vampire!" I stammered. Then I noticed her legs. Below the cheerleader skirt, her left leg was brown and shaggy with a donkey's hoof. Her right leg was shaped like a human leg was it was made of bronze. "Uhh, a vampire with-" "Don't mention the legs!" Tammi snapped. "It's rude to make fun.
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