A Quote by Katharine Isabelle
I think you have to have a sense of humor about every movie that you're doing. Your character needs to be relatable in a way that, even when you're doing the most bizarre things, sometimes a bit of tongue in cheek is necessary to keep up the believability of it.
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'Guardians of the Galaxy' is tongue-in-cheek and has a sense of humor about itself. But it's nothing like 'Deadpool.' 'Deadpool' is this super-bizarre thing. The best thing about it is that it's R-rated.
People are complex, and I think it's a huge element of what I do, because you have to balance out the fact that you talk about quite serious things with a sense of irony and tongue-in-cheek humor. That's my personality as well.
It's not like changing one word with my lyrics is going to make them more intelligible or relatable. I was always very misunderstood and taken as very pretentious and serious all the time. I would think, "Do you not see there's a lot of tongue-in-cheek and humor here?"
I think coming from a big family, it helps you to keep your sense of humor about certain things... even politics.
Sometimes it's easy for things get away from you, a little bit, if you have too many people coming in all the time, trying to put their mark on it. If something is successful, you don't have to do that. All you have to do is keep doing what you're doing, or have been doing.
I don't think an actor needs to necessarily go through his things to do his job. I think it's way more important to imagine. And then, when you're imagining, your experiences, your images and your own personal things will show up, but you keep imagining. You don't get stuck in your own personal things, otherwise you are telling your story in every character, and that's not interesting for anybody.
I think a lot of things that people think are complimentary are a little bit condescending, but then we just have to keep doing what we're doing, and being in the band is the important bit.
Sometimes I think you just have to trust that the things you're doing make sense, instead of sitting down and analyzing this and that and, "Well, I read Paul-Michel Foucault saying..." The world and the universe have a way of resolving themselves eloquently, I think, if you're doing the right things.
Instead of my telling people what they should be doing, it makes more sense to be an inspiration to them. I'm not perfect by any means. I've done some stupid things, and I'm very aware of that. In this day and age, you have to have a sense of humor about it, and at the same time, it's made me a lot more aware that you have to take responsibility for your actions. For me, it's about staying on the path. If I slip, that's OK; just get back up and keep focused.
To follow Jesus implies that we enter into a way of life that is given character and shape and direction by the one who calls us. To follow Jesus means picking up rhythms and ways of doing things that are often unsaid but always derivative from Jesus, formed by the influence of Jesus. To follow Jesus means that we can't separate what Jesus is saying from what Jesus is doing and the way that he is doing it. To follow Jesus is as much, or maybe even more, about feet as it is about ears and eyes" (The Way of Jesus, Eugene H. Peterson, 22).
I've done and said a lot of things when I was younger that I don't know if I even understood what I was doing or why I was doing it. There's a lot of compassion in understanding what people go through and even in trying to understand why a person would act the way they do. I was a very reactive person, and I did things that were just really bizarre; I don't think people understood it at all.
I love actors. I enjoy their company, and I get excited each and every time they bring a character I've written to life. Every so often a talented actor doesn't hook in correctly to a character; or someone gets lost in a labyrinth of over-complicated thoughts, and the character and play suffer. However, most of the time I find actors either end up doing exactly what was in my head, or sometimes do something even better.
I think what is nice about 'Elf,' and why it doesn't play as one long sketch, is that the character actually grows up during the course of the film. It's not just a character that you can keep checking in on and keep doing sketches about. It's a story. I'm pretty proud of how we told it.
It's been written about as "the overview effect." All I can give you is my perspective, but most all of the people who have been in space start to see the world without boundaries. You start to think about how we can keep doing these things we're doing that are destructive of the environment and destructive of the planet. It causes you to start to think things in a quite different way than we had before.
The reasons you have for doing a movie will vary with the way your life is going. There was a time when a made a some movies because I felt I needed to work. And I didn't think about the material as much. But sometimes I've thought about the material a lot and thought I was doing the right thing, and it didn't work out.
I think sometimes I'm more fond of doing the research for the character because you learn so much. Sometimes shooting is really difficult because you wake up early and you're always hurrying. And sometimes I don't know what I'm doing. I'm here and there.
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