A Quote by Katharine McPhee
I can understand why guys wouldn't be into 'Glee.' You know, that's a pretty heavy musical show. That show does, like, six songs in an episode.
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I went to audition for an episode of 'Law and Order,' and they didn't understand why I was talking so fast, and I was like, 'No, you don't understand. I was on a show called the 'Gilmore Girls.' We had to say everything like that.'
I was a 'Glee' fan before I joined the show! Since my background is musical theater, it was exciting to see a TV show that incorporated music so much and in such a genius way.
I'm part of this show called "Shots Fired" that is premiering on FOX. It's right after the Super Bowl. It's a pretty incredible show. I'm pretty much the voice of the show, so the voice of the opening credit record and the songs in between is pretty much my voice.
My role on 'Silicon Valley' was so small that I didn't have a lot of influence anyway in the show. There are four guys who really write that show and run that show and then six or eight hanging out in a room kicking in a few bits.
The second episode of any new show can be tough. You have about a week to top the well-crafted and polished pilot episode that was written over six months.
I know a lot of people who say, "I reluctantly watched the first episode because I don't really like zombies and that stuff, but I was pleasantly surprised by the characters and the drama of it all." I think that's what keeps people coming back and brings new watchers to the show. What the show does is cross many, many different viewerships.
It’s every band’s right, you shouldn’t have to do f___ing Glee. And then the guy who created Glee is so offended that we’re not, like, begging to be on his f___ing show… f___ that guy for thinking anybody and everybody should want to do Glee.
Honestly I'm not a huge TV person. The only show that I've seen every episode of is 'Pretty Little Liars.' It's my favorite show. I wish I could get into other shows, but I just don't have time!
There's a lot of levels of metanarrative that I like to play with. That's why I like the Ghostfacers, because we actually managed to come back off the strike with an episode that claimed that the CW wasn't able to get an episode of Supernatural done fast enough. So the prelude to 'Ghostfacers!' is the Ghostfacers going, 'Yeah, those fat-cat writers, we've got a show that's better than that bullshit anyway.' I mean, that's pretty cool in the world of metanarrative, which is, I have to admit, one of my abiding passions.
I always want to read the script and know everything and at least understand the context of the world that you're in and why you're there and all that stuff. It's good to know something. I like to know, but I've never been one of these, 'Just show me my stuff,' no, I like to know what the whole picture is so I can understand how I fit into it.
I've never had a working relationship like I have with them. I developed a lot of the design of this show with them. That conversation was about, "What are your needs? What are you looking for? Will this work for you guys? Will a show work where you've got one episode per character?" They really were a creative partner.
To me, the musical is best when it's a musical comedy. So if you have a very, very funny show, and very good, funny songs, that's what the musical does best.
I think as women, you know, if you are considered a pioneer in these things, you can get really distracted by these other things - you know, people's demands of you reflecting on your otherness. And for this white critic to say, "I don't understand why she doesn't do that" - and you're like, "It's because I'm running a show on a major network and I want the show to continue" - and to sort of guilt me.
I like to know why a video has suddenly gone viral, why a song has broken, why a TV show is suddenly rating out of pattern... I'm pretty good at understanding why things are becoming popular.
I do an act, and I've been doing an act for 50 years. I do a variety show, which is a musical comedy show. I do comedy, and I do singing, Broadway show tunes and different songs that I like. Been doing it for many, many years.
It's always good to go from a heavy song to a softer one. It helps having the attention of the audience for the whole show - three hours of the same songs for the whole show is boring.
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