A Quote by Katharine Ross

When I first came to Hollywood, I couldn't afford a telephone. — © Katharine Ross
When I first came to Hollywood, I couldn't afford a telephone.
When I first came into New York City, what I did was, I didn't have very much money, and I couldn't afford pictures or a resume, so what I used to do is I would tear off the back of a matchbook, and I'd write my name and telephone number on the back of the matchbook.
We live in a modest system, a galaxy called the Milky Way. If we named every star in the Milky Way and put them in the Hollywood telephone directory and stacked those telephone directories up, we'd have a pile of telephone directories 70 miles high.
My uncle was the first one in my family to get a telephone. It was like going to the moon. He came running over to tell us, and we were so proud. A telephone! We didn't have to go to the candy store to phone any more. We went around telling everyone. But we didn't hear from my uncle for three days, so my father got worried. He said, Let's go over there. We got there, and my uncle was very depressed. I asked, What's the matter? He said, I got a telephone and nobody called me. He didn't give his number out - he didn't know that you had to!
Everyone has a telephone. Whether they can afford it or not. It's one of those things that people have, regardless of their income.
When I first came here, Hollywood was very closed-minded.
When I first came to Hollywood, I could not break into movies.
The 1930s Hollywood was capable of hurting me so much. The things about Hollywood that could hurt me (when I first came) can't touch me now. I suddenly decided that they shouldn't hurt me - that was all.
When I first came to Hollywood, I used to dream of doing films and escaping television.
I've ridden a bike since I was 18. It was the first transportation when I came to Hollywood because it was inexpensive and easy for me.
My first three novels were all the subjects of intensely exciting flurries of calls from producers and even stars' production companies, and once someone actually hired a screenwriter to adapt one of my books - but it all came to nothing, so I tried not to get too excited when a Hollywood suitor came calling for 'Admission,' my fourth novel.
I have this disease late at night sometimes, involving alcohol and the telephone. I get drunk, and I drive my wife away with a breath like mustard gas and roses. And then, speaking gravely and elegantly into the telephone, I ask the telephone operators to connect me with this friend or that one, from whom I have not heard in years.
This is the first national administration we've ever seen where the housewife couldn't afford to buy groceries and the farmer couldn't afford to grow them.
I know of a few multimillionaires who started trading with inherited wealth. In each case, they lost it all because they didn't feel the pain when they were losing. In those formative first few years of trading, they felt they could afford to lose. You're much better off going into the market on a shoestring, feeling that you can't afford to lose. I'd rather bet on somebody starting out with a few thousand dollars than on somebody who came in with millions.
I was in Hollywood. It's the mythology heart. It's where all the European films came in the '30s and '40s. The marriage between Europe and Hollywood has always been the best when it works.
You can really call Irene Dunne 'The First Lady of Hollywood', because she's the first real lady Hollywood has ever seen.
I didn't grow up wealthy. We couldn't even afford spaghetti sauce when I was first born, but my mom and dad worked really hard and came from the bottom up.
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