A Quote by Katharine Tynan

There is an Irish way of paying compliments as though they were irresistible truths which makes what would otherwise be an impertinence delightful. — © Katharine Tynan
There is an Irish way of paying compliments as though they were irresistible truths which makes what would otherwise be an impertinence delightful.
Nothing makes people so worthy of compliments as receiving them. One is more delightful for being told one is delightful-just as one is more angry for being told one is angry.
If I were God wanting to make a human being, I would do it by a more direct way rather than by evolution. Why deliberately set it up in the one way which makes it look as though you don't exist?
Yes, I am Irish and Indian, which would be the coolest blend in the world if my parents were around to teach me how to be Irish and Indian. But they're not here and haven't been for years, so I'm not really Irish or Indian. I am a blank sky, a human solar eclipse.
We learn to praise God not by paying compliments but by paying attention.
There are several kinds of truths, and it is customary to place in the first order mathematical truths, which are, however, only truths of definition. These definitions rest upon simple, but abstract, suppositions, and all truths in this category are only constructed, but abstract, consequences of these definitions ... Physical truths, to the contrary, are in no way arbitrary, and do not depend on us.
I have never studied the art of paying compliments to women; but I must say that if all that has been said by orators and poets since the creation of the world in praise of women were applied to the women of America, it would not do them justice for their conduct during this war.
Such lonely, lost things you find on your way. It would be easier, if you were the only one lost. But lost children always find each other, in the dark, in the cold. It is as though they are magnetized and can only attract their like. How I would like to lead you to brave, stalwart friends who would protect you and play games with dice and teach you delightful songs that have no sad endings. If you would only leave cages locked and turn away from unloved Wyverns, you could stay Heartless.
Alchemy is the art of far and near, and I think poetry is alchemy in that way. It's delightful to distort size, to see something that's tiny as though it were vast.
For the only way one can speak of nothing is to speak of it as though it were something, just as the only way one can speak of God is to speak of him as though he were a man, which to be sure he was, in a sense, for a time, and as the only way one can speak of man, even our anthropologists have realized that, is to speak of him as though he were a termite.
We can think about how we reduce the pain in paying. So, for example, credit cards are wonderful mechanisms to reduce the pain of paying. If you go to a restaurant and you are paying cash, you would feel much worse than if you were paying with credit card. Why? You know the price, there's no surprise, but if you're paying cash, you feel a bit more guilt.
Travel challenges truths that we were raised thinking were self-evident and God-given. Leaving home, we learn other people find different truths to be self-evident. We realize that it just makes sense to give everyone a little wiggle room.
My mom's family was 100 percent Irish, in the American way of being Irish, and then my dad was half Irish.
It is absolutely vital to preserve a space where the mind, by means of poetic thinking, can move in a free, even anarchic, way. It must do so, in order to find deep truths that would not be otherwise available, ones that we desperately need. Anyone who writes poetry knows what I'm talking about, because they've had the experience of thinking this way.
Take one, and you cannot take the other. But neither path is safe. Which way would you walk — the way of hard truths or the way of fine lies?
As though she had entered a fable, as though she were no more than words crawling along a dry page, or as though she were becoming that page itself, that surface on which her story would be written and across which there blew a hot and merciless wind, turning her body to papyrus, her skin to parchment, her soul to paper.
All in all, it was a never-to-be-forgotten summer — one of those summers which come seldom into any life, but leave a rich heritage of beautiful memories in their going — one of those summers which, in a fortunate combination of delightful weather, delightful friends and delightful doing, come as near to perfection as anything can come in this world.
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