A Quote by Katharine Viner
I've always believed that no subject is off-limits as long as you can find a way to make it significant, thoughtful, and interesting.
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She was brilliant and joyous and she believed- probably correctly- that libraries contain the answers to all things, to everything, and that if you can't find the information you seek in the library, then such information probably doesn't exist in this or any parallel universe now or ever to be known. She was thoughtful and kind and she always believed the best of everybody. She was, above all else, a master librarian and she knew where to find any book on any subject in the shortest possible time. And she was wonderfully unhinged.
There is nothing that's off limits. If people think something is off limits, I make it my business to go make a joke about it; that's my job.
The work is primarily subject-driven. All decisions flow from there. The photographs are all made in response to a unique subject, in particular context, at a specific moment in time. The thoughtful preparedness that defines my working method actually facilitates spontaneity and allows me to embrace surprise. I always have a game plan but view it as merely the jumping off point.
Finding a kid that could be introspective and internal and thoughtful, and then also be wild and free and guileless and physical, it was hard. So at the end we started getting down to panic time, and we still hadn't found our Max. And we decided to go about it a different way. We said, "Let's just find friends of ours that live in interesting cities in the country that maybe aren't as big, and people that don't do casting." And thinking maybe you find a place that has an artistic community, maybe we'll find some interesting kids from there.
I write about people I think are interesting, and then I discuss it with my editor, and she decides if she thinks it will be interesting to children as well. If I have no great interest in the subject, I find the work to be terribly boring. And if I find the person interesting, I love the research part and, by extension, the writing as well.
On the Web no subject is sacrosanct. No one, from icon to unknown, is off-limits.
Every entrepreneur has to deal with hardship, but if we're tough enough and thoughtful enough, we can find a way to make hard things make us better.
I have always believed that there should be no subject about which one cannot make jokes, religion included. Clearly, one is always constricted by contemporary mores and trends because, after all, what one seeks above all is an appreciative audience.
I think that the gifts of the spirit are always subject to the control of the person who's exercising them. You're not forced in to doing it. Love never forces. And therefore 'the spirit of the prophet is subject to the prophet' is another way it is put. You don't suddenly find yourself taken over by a spirit and find yourself speaking tongues. You're in control, but it's a gift. You can stop and start as you please, but it's a way of communicating with God.
This is one of the last industries where the subject is off limits. Nobody’s comfortable in engaging in a conversation.
God wants the world to function in an orderly way, not a chaotic way, so teaching humans to do what's right and what will make for the happiest life isn't going to be off limits.
I give myself limits - not only financial limits, but I also limit my method of expression, and from within those limits, I try to come up with something new and interesting.
What I found interesting in dance is the idea that my work has always been dealing with the nervousness between the human subject as a subject and the human subject as a form. And if you look at my dance films, there are always these cuts between the dancer as a form, the dancer as a subject, and this kind of very harsh treatment of the dancer as someone who's actually drawing with their body.
We're, as Carlos Petrini says, we're on a train and it's going off the edge of the cliff. We have to stop the track and get off. Now we're in a jungle. We don't know how we're going to get out but we'll find a way. I've always believed in people power. I saw it happen when we organized around the AIDS crisis... We made an AIDS quilt that covered the entire mall. Everybody had a part in it and we can do this.
I think you reveal yourself by what you choose to photograph, but I prefer photographs that tell more about the subject. There's nothing much interesting to tell about me; what's interesting is the person I'm photographing, and that's what I try to show. [...] I think each photographer has a point of view and a way of looking at the world... that has to do with your subject matter and how you choose to present it. What's interesting is letting people tell you about themselves in the picture.
I have to always make sure I don't stay in one place and spend too much time one subject. I have my wife tell me [through an earpiece], "Come back! You're taking too long on that subject." I need to be reeled in.
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