A Quote by Katharine Whitehorn

There's comfort to an awful old dressing-gown a pretty peignoir is powerless to provide, and aging bra elastic, is, I suspect, as near to liberation as most women ever get. — © Katharine Whitehorn
There's comfort to an awful old dressing-gown a pretty peignoir is powerless to provide, and aging bra elastic, is, I suspect, as near to liberation as most women ever get.
In the American office lexicon, 'aging' - and its close cousin 'old' - are inconsistent modifiers. While older women are often labeled as 'tired' and 'out of touch,' aging men get to be 'distinguished' and 'seasoned.'
You spend Christmas at somebody's house, you worry about their operations, you give them hugs and kisses and flowers, you see them in their dressing gown...and then bang, that's it. Gone forever. And sooner or later there will be another mum, another Christmas, more varicose veins. They're all the same. Only the addresses, and the colors of the dressing gown, change.
No movie has ever been able to provide a catharsis for the Holocaust, and I suspect none will ever be able to provide one for 9/11. Such subjects overwhelm art.
Gender roles are absurd when you actually look at them. The fact that anybody could ever say or think that dressing in women's clothes is wrong, or odd. Women dressing in women's clothes and men dressing in men's clothes is the actually the thing that is really odd.
When I get home at night, I always have a soak in the tub before changing into my dressing gown and slippers.
Aging does not make women powerless objects of pity but colorful and entertaining individuals and, on occasion, fire-breathing dragons that wise people don't cross.
I only wear heels when it's 100-percent required, and even sometimes not then. I have to talk myself into a bra. I've done an hour of standup where I've been like, "I don't have to wear a bra tonight." If you're going to be on camera, you have to get it together, but other than that, I am pretty lazy as a woman.
I love being a writer. I have a great life. I get up in the morning and pad around in my dressing gown and listen to Radio 4.
Animal liberation is also human liberation. Animal liberationists care about the quality of life for all. We recognize our kinship with all feeling beings. We identify with the powerless and the vulnerable, the victims, all those dominated, oppressed and exploited. And it is the non-human animals whose suffering is the most intense, widespread, expanding, systematic and socially sanctioned of all.
The public is absolutely fascinated by aging. They don't want to get old. And you can see - read Shakespeare. Read the sonnets. They're all about aging.
The Obama-Clinton administration tried repeatedly to remove our cruisers from service, then refused to modernize these very old, aging, aging ships. They're old. They're tired.
In interviews, the first question I get in America is always: 'What do you do to stay young?' I do nothing. I don't think aging is a problem ... I'm so surprised that the emphasis on aging here is on physical decay, when aging brings such incredible freedom. Now what I want most is laughs. I don't want to hurt anybody by laughing -- there is no meanness to it. I just want to laugh.
On aging societies, there is no reason why a country that has a lot of old people can't be prosperous if, during their working lives, individuals provide for their retirement.
Most men experience getting older with regret, apprehension. But most women experience it even more painfully: with shame. Aging is a man's destiny, something that must happen because he is a human being. For a woman, aging is not only her destiny . . . it is also her vulnerability.
I take comfort that aging happens to everybody. It's part of life. Aging offers great lessons in dignity, since the indignity wins in the end. Yes, it bothers me when I have lines or puffiness or droops. But it connects me with the human race. Like weather bringing people together, aging brings people together.
I remember wearing old long johns, my dad's silk paisley dressing gown, chopped off at the waist, and lots of crucifixes - trying to look like Madonna. But I wasn't breaking any moulds, I was just trying to follow somebody else.
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