A Quote by Katherine Applegate
When I'm drawing a picture, I feel...quiet inside.
Related Quotes
I showed the grown ups my maasterpiece, andI asked them if my drawing scared them. They answered why be scared of a hat? My drawing was not a picture of a hat. It was a picture of a boa constrictor digesting an elephant.
When you meditate you have to try to quiet and calm the mind. There should be no thought within the mind. Right now you feel that if you can cherish twenty ideas at a time, then you are the wisest man on earth. The more thoughts that enter into our minds, the more clever we feel we are. But in the spiritual life it is not like that. If consciously we can make the mind calm and quiet, we feel that a new creation dawns inside us.
You've been quiet lately...but it's not so much the quiet as something inside the quiet.
Think, for a moment, of the countless happy childhood hours you spent with this amazing device: Drawing perfect horizontals, drawing perfect verticals, drawing really spastic diagonals, trying to scrape away the silver powder from the window so you could look inside.
I made a drawing for a book I'm working . It's a little drawing of a girl who's ashamed and upset and hides in the corner of the closet. It's the kind of drawing that I feel like I'm really good at.
My drawing was not a picture of a hat. It was a picture of a boa constrictor digesting an elephant.
I think the way kids create is so inspiring. They're drawing a picture? They love the picture they drew; they're not tortured about it.
While he writes, I feel as if he is drawing me; or not drawing me, drawing on me - drawing on my skin - not with the pencil he is using, but with an old-fashioned goose pen, and not with the quill end but with the feather end. As if hundreds of butterflies have settled all over my face, and are softly opening and closing their wings.
I remember the special quiet of rainy days
when I felt that I could enter the pages
of my beautiful picture books.
Now I try to recreate that feeling of believing
that the imaginary place I'm drawing really exists.
The detail in my work helps to convince me, and I hope
others as well, that such places might be real.
When I get to the drawing, I really enjoy taking a big chunk of time and working on the drawing and nothing else. That allows me to make sure that I'm really challenging the art, making each picture as interesting as I can.
Be quiet. Part of your responsibility is to honour the quiet inside yourself so you can hear the call.
I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
I do feel like no matter what you're doing, whether it's music or writing a play or a poem or drawing a picture or painting something, that you're speaking to what is it you want to express, what is it you want to see.
To be aware of little, quiet things, you need to be quiet inside. A high degree of alertness is required. Be still. Look. Listen. Be present.
My introduction to art was winning a Weetabix drawing competition: I did a picture of a combine harvester. My sister used to read Jackie magazine in those days, so next I drew a picture of Mark Bolan for them and won a prize.
For 'Picture This,' I wanted it to be a drawing book that didn't have any instructions about drawing, beyond the real simple stuff you'd find like in a Bazooka bubblegum wrapper, or in 'Highlights' magazine. I just wanted it to be feelings about looking and seeing and pictures.
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