A Quote by Katherine Cecil Thurston

Florence - the city of tranquillity made manifest. — © Katherine Cecil Thurston
Florence - the city of tranquillity made manifest.
Florence for me is not simply a city. Florence is a sentiment. And I think it's impossible to be a politician without sentiment.
My grandfather is from Ireland. His name is Florence McCarthy. He moved to New York in 1920. They used to beat him up because his name was Florence. He had to switch his name to Frank. And then this Christmas, he made an announcement - he goes, 'I'm switching me name back to Florence.' And we beat him up, 'cause it's a dumb name and he's old and weak and it was easy.
Spending all my remaining money on a ticket to Florence was rendered needlessly complicated by the fact that none of the ticket-sellers had ever heard of the place. At last their supervisor showed up and set them straight by informing them that the city they had always referred to as 'Firenze' was in reality called Florence.
I made music with my friend, who we called Isabella Machine to which I was Florence Robot. When I was about an hour away from my first gig, I still didn't have a name, so I thought 'Okay, I'll be Florence Robot/Isa Machine', before realising that name was so long it'd drive me mad.
For if the mystery concealed of old is made manifest to the Apostles through the prophetic writings, and if the prophets, being wise men, understood what proceeded from their own mouths, then the prophets knew what was made manifest to the Apostles.
I have just been to a city in the West, a city full of poets, a city they have made safe for poets. The whole city is so lovely that you do not have to write it up to make it poetry; it is ready-made for you. But, I don't know - the poetry written in that city might not seem like poetry if read outside of the city. It would be like the jokes made when you were drunk; you have to get drunk again to appreciate them.
I've always considered Florence as my girlfriend. I don't have to explain my love for this city.
Art exists through the act of making. It has to somehow be made manifest to another person. It has to do with what one wants to see manifest, what one wants to bring into the world, what one desires to have exist.
Rome is stately and impressive; Florence is all beauty and enchantment; Genoa is picturesque; Venice is a dream city; but Naples is simply -- fascinating.
But the people who took the bus didn't experience the city as we experienced the city. The pain made the city more beautiful. The story made us different characters than we would have been if we had skipped the story and showed up at the ending an easier way.
Because the quality of living with nature and allowing it to manifest itself is different than the quality of living in a city, especially a dense city.
The only place I've ever been where people were as proud about their city as people are in Chicago is Florence, Italy, where I lived for three years.
What made it so special was the city of Houston had never won a sports championship. I think the championship changed people's thinking about their own city. It made them feel like their city had some significance that it hadn't had before.
This is the fairest picture on our planet, the most enchanting to look upon, the most satisfying to the eye and spirit. To see the sun sink down, drowned in his pink and purple and golden floods, and overwhelm Florence with tides of color that make all the sharp lines dim and faint and turn the solid city to a city of dreams, is a sight to stir the coldest nature, and make a sympathetic one drunk with ecstasy.
A city's greatness is manifest in a people confident in their ability to take risks, to encounter
The interactions of business and culture, one upon the other, form one of the least explored phases of history. For such a study, no city would appear better fixed than Florence, so richly dowered with both economic and spiritual vitality.
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