A Quote by Katherine Center

Something good was happening. My life was rising from the ashes, and the sight of it left me feeling something like hopeful. — © Katherine Center
Something good was happening. My life was rising from the ashes, and the sight of it left me feeling something like hopeful.
It's instinctive in a certain kind of painting...It's like a nervous system. It's not described, it's happening. The feeling is going on with the task. The line is the feeling, from a soft thing, a dreamy thing, to something hard, something arid, something lonely, something ending, something beginning.
If something good was happening in my life, I'd call my mom to let her know. If something bad was happening, she'd be somebody whose advice I would seek out. We had a very good relationship, but she drove me crazy, all the time. But, she drove me crazy in a loving way.
To create something beautiful about despair or out of a feeling of despair is for me the most hopeful life affirming thing a person can do
This is a valley of ashes--a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the forms of houses and chimneys and rising smoke and, finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. Occasionally a line of gray cars crawls along an invisible track, gives out a ghastly creak, and comes to rest, and immediately the ash-gray men swarm up with leaden spades and stir up an impenetrable cloud, which screens their obscure operations from your sight.
The hardest thing [for me] is to 'just' agree, and that is what sparks creativity, the feeling that something can be better, the feeling that something's missing, the feeling that something's needed.
Get into something that's really personal that means something to you, where you have something to say and is something really individualized. I wish I was more aware of that when I started my career instead of doing a few things I was told would be good for me. And they weren't, because it left me empty, so I didn't do a good job anyways. I think that's what's key to what we do: It's got to be personal.
Regret isn't good. Every decision one makes in life is made for a reason or another. Whenever something bad happens, I go, 'This is happening for a reason', or, 'This is going to teach me something'.
Always in the dream, it seemed as if there were a destination: a something--he could not grasp what-that lay beyond the place where the thickness of snow brought the sled to a stop. He was left, upon awakening, with the feeling that he wanted, even somehow needed, to reach the something that waited in the distance. The feeling that it was good. That it was welcoming. That it was significant. But he did not know how to get there.
I think in L.A., in terms of the music scene, it's a really strange place. It's really hard to get the feeling that something's happening, or the feeling that something can make it out of there.
If all is happening perfectly then all that we are feeling is also perfect, which means if there is something happening that feels like it needs to be changed, then change it.
It's not that people like sad movies that make us feel like, "Oh, my god, what a bummer." We like emotionally moving experiences, where you feel like a slightly different person and you see the world a little different, after you finish. It lets you see your own life, in a different way, and it actually makes you feel really good. And even though there might be sad content making this happen, the feeling that you're left with is one that is quite good, quite hopeful, clarifying and uplifting.
Sjogren's is something you live with your whole life. The good news for me is now I know what's happening after spending years not knowing... I feel like I can get better and move on.
'Ashes To Ashes' is a victim of its own success. We started lots of trends. I like to think we had something to do with bringing back the high waist. It's so much more flattering.
When I was able to get home it first hit me that you had left and I couldn't do anything about it. Every day before that an evening with you was waiting for me after school, now no more, strange feeling. I had grown too accustomed to your warmth. That is also a danger. At home I looked at the notebooks that you had bought and I got the stupidest surge of hope that I'd find something of you, something especially for meant for me. I would so much like to have something of you that I could always keep by me, that nobody else would notice.
My father left a bit of his life with me. He gave me a gift, as did so many other wrestlers, like Mike DiBiase, Bob Geigel, Verne Gagne and Gene Kiniski. They all left me with something.
I feel like success to me is about feeling like I have done something in storytelling, where I've gotten close to articulating something intangible that I'm feeling, and I think I get closer every time, but I don't know that I've done that yet.
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