A Quote by Katherine Dunham

My work has been much more Caribbean and eclectic. I am interested in people, and where they come from happens to have fallen within an area of Africa. — © Katherine Dunham
My work has been much more Caribbean and eclectic. I am interested in people, and where they come from happens to have fallen within an area of Africa.
The United States and rich countries cannot change Africa from within. It has to impose reform on Africa; it has to come from within.
I have come to one conclusion: All that I am, all that I aspire to be, all that I was before, is by the grace of God. There are so many women in Africa, and outside Africa, who are more intelligent than I am.
I am very much into politics, but what interests me is sacred principles applied to that area. You know, many people are interested in alternative health who are never going to become doctors, or practitioners. That is how I am about politics. I am interested in the intersection of the Spiritual and the political - how spiritual principles apply to the social and political issues of our day. For me, the spiritual realm, is a more powerful place to speak from on those issues.
My courage comes from my faith. I have come to one conclusion: All that I am, all that I aspire to be, all that I was before, is by the grace of God. There are so many women in Africa, and outside Africa, who are more intelligent than I am.
I've been all over meeting government ministers and such in Caribbean financial circles. There's a small blockchain movement in the Caribbean. They've been quite a bit more advanced than you might've imagined.
Food is an integral part of Caribbean life - it's diverse just like Caribbean culture, with flavour influences from India, Europe, China, South America and Africa.
I am one of those who believe that there is no permanent home for even a section of the Bantu in the white area of South Africa and the destiny of South Africa depends on this essential point. If the principle of permanent residence for the black man in the area of the white is accepted then it is the beginning of the end of civilisation as we know it in this country.
You've got to take responsibility for the hell that you've been giving to our people not only in America, but in Haiti and the Caribbean, and now in Africa. [Hillary] Clinton, your hand is bloody
I'm very interested in people, so if a character happens to be real, there's that much more to look at.
I am trying to do the best work I possibly can and making movies that will have resonance for years to come. I think if you try for an Oscar or a goal like that, the more people are going to see it as transparent. It's not on my radar. If it happens, great, but I'm happy to continue working as I am, really.
I've always been the underdog, and I've always had to work much harder than the next person just to get a look. But I feel like that's Black people as a whole, to be honest with you. We have to do so much more and work so much harder to get certain kinds of looks within this industry.
I haven't traveled in Africa nearly as much as I'd like to. I've been there a few times, and I'd like to learn more about the various cultures in Africa. But that's the basis point of where all of the music that I love is based upon, from Africa to Cuba to Puerto Rico to South America.
I have always been fascinated by the life cycle, the way skin metamorphoses over time. I am mesmerized by skin and that's why I've been attracted to the nude. I do think people show their soul when they are stripped down psychically. There is something wondrous that happens when we relate on that level - and I am interested in that depth.
I've always been more interested in what happens after the bad thing has happened - the fallout of the bad thing, when people are already damaged. I'm less interested in seeing people when they're fine and following their journey to becoming damaged.
I am a writer who is definitely working with a specific language and more than English, that language is American. And I work very much in idiom and am very interested in the play of different kinds of rhetoric, whether it is the more high-flown stuff that reeks of age. I love to juxtapose something like that with something more current or urgent. I am always interested not in America by itself, but America as an idea and how that idea has changed over time, in the eyes of the rest of the world and in the eyes of Americans.
I find I am more interested in the villain-type roles because they can be so much more complex than just the villain. I don't think anybody sees them as evil per se. They show how close we are to one another. It's an untapped area of art. And I think, physically, I'm not going to play the hero.
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