A Quote by Katherine Dunn

In a really good, closely matched situation, the style of the boxer is every bit as explicit and specific to him as a painter's hand. — © Katherine Dunn
In a really good, closely matched situation, the style of the boxer is every bit as explicit and specific to him as a painter's hand.
I don't really have a specific style, it changes every day depending on who I am with, or the place I am near. In London, it's a bit more punk.
I was a really good youth boxer, and I enjoyed the sport very much. Once I actually started to play the trumpet, it is very similar to boxing. Most of the great trumpet players boxed: Miles Davis was a boxer, Wallace Roney is a boxer, Terrence Blanchard is a boxer. In a boxing ring, no one can help you. It's just you and the other guy, and your job is to get him out of there, to outscore him in the best sense of it. When you learn to box, the first thing they teach you is to protect yourself at all times, and some people also learn that they like being hit.
I would be more wary of boxing a pretty boxer than I would one that looks like they have been bashed up a bit because the pretty boxer obviously doesn't get hit - so that means they must be quite good!
I don't have a specific style. My style is unorthodox; that is my style. So you can't really place me here, place me there, because my style is just to be anywhere, you know what I'm saying?
The unity in any painter's work arises from the fact that a person, brought to a desperate situation, will behave in a certain way... style.
A little bit of this, a little bit of that. I never had any specific style.
I think every actor tries to put a little bit of themselves into each character, and I think if you watch very closely, every actor has a bit of himself in every role whether they want to admit it or not.
The best fighter is not a Boxer, Karate or Judo man. The best fighter is someone who can adapt on any style. He kicks too good for a Boxer, throws too good for a Karate man, and punches too good for a Judo man.
An axiomatic system comprises axioms and theorems and requires a certain amount of hand-eye coordination before it works. A formal system comprises an explicit list of symbols, an explicit set of rules governing their cohabitation, an explicit list of axioms, and, above all, an explicit list of rules explicitly governing the steps that the mathematician may take in going from assumptions to conclusions. No appeal to meaning nor to intuition. Symbols lose their referential powers; inferences become mechanical.
It's a very slippery slope when you have a world champion boxer fighting an MMA guy for the sake of money, and he can't knock him out in the first round. He has to make sure he carries him a little bit.
The hand descended. Nearer and nearer it came. It touched the ends of his upstanding hair. He shrank down under it. It followed down after him, pressing more closely against him. Shrinking, almost shivering. He still managed to hold himself together. It was a torment, this hand that touched him and violated his instinct. He could not forget in a day all the evil that had been wrought him at the hands of men.
Boxing is a sport that is largely dominated by machos, by men who think we have to conform to a very specific role model. The ideal boxer doesn't think too much, is raw and brimming with strength. I am also fascinated by strength, but for me style is a part of that.
In a story, for example, you'll start off with a character who is a little bit of a cartoon. That's not satisfying and you start revising. And as you revise you always are making it better by being specific and by observing more closely, which actually is really the same as saying you love your characters. The close observation equals love of them.
My mom is a painter and an artist. She would play music, and she always had very good taste in music, fashion, and art. She was also a young single mom, so I think she had really good style; she was really free... just really inspiring in her own way and allowed me to find the direction I wanted to take in my life.
If a guy's a very good wrestler or a really good boxer or has a really good high kick, you prepare for that. It's the same when you're going to fight someone who talks a lot of crap.
Sometimes the image of the intellectual boxer did for me more harm than good. If a boxer has a reputation as an intellectual, some people no longer respect him as a fighter. With me it was always ?Lennox should react, not think?. But that?s nonsense. Only the guy who controls his opponent wins.
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