A Quote by Katherine Heigl
There are some things that, if you say them out loud, will hurt the other person's feelings. I tend to say them anyway. It's better to be honest.
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I am not a person to say the words out loud
I think them strongly, or let them hunger from the page:
know it from there, from my silence, from somewhere other
than my tongue
the quiet love
the silent rage.
I'll be walking down the street with a mate, and someone will stop and say 'All right Crouchy, how's things?' and so on. Once they're gone, the person I'm with will say 'Do you know them?' and I'll say 'I've never met them before in my life'. Happens all the time.
When I started out as an actor, I thought, Here's what I have to say; how shall I say it? I began to understand that what I do in the scene is not as important as what happens between me and the other person. And listening is what lets it happen. It's almost always the other person who causes you to say what you say next. You don't have to figure out how you'll say it. You have to listen so simply, so innocently, that the other person brings about a change in you that makes you say it and informs the way you say it.
I'm a very protective person and I'm very, I don't want to say shy, but I tend to fall for people once I've been around them for a minute because I trust them and I'm willing to let them into my world a little more, so I can definitely say I've fallen for a friend.
I have got closer to some of the guys through Twitter. I don't need to name names but I have found I have more of a connection with some players than I did before - not to say that I wasn't friends with them anyway but just that I'm better friends with them now.
People say strange things, the boy thought. Sometimes it's better to be with the sheep, who don't say anything. And better still to be alone with one's books. They tell their incredible stories at the time when you want to hear them. But when you're talking to people, they say some things that are so strange that you don't know how to continue the conversation.
Say who you are, really say it in your life and in your work. Tell someone out there who is lost, someone not yet born, someone who won’t be born for 500 years. Your writing will be a record of your time. It can’t help but be that. But more importantly, if you’re honest about who you are, you’ll help that person be less lonely in their world because that person will recognise him or herself in you and that will give them hope.
I can read people, and if the other person doesn't want to say anything, I'm fine with that. People say things when it's time to say them.
I don't know a single person who doesn't regret the things that they did to hurt their parents, or the things they didn't say to them.
All my shows are therapy, trying to navigate interesting subjects so I can work them out and to be honest and say some things are beyond the wit of this man.
People feel so much more comfortable bullying behind a screen than in person. It gives them a mystique and makes them say things that they would never be strong enough to say in person.
All you have to do is say "yes." Don't make some big project out of it. Don't make some big deal out of it. Just say "yes." You don't even know what it means to say "yes," but you say it anyway. You'll never know what it means to say "yes," but you do it anyway. Freedom and Love arise when you die into the unknown mystery of being.
As you begin to develop real relationships and bonds it gets harder because sometimes you say things to people and hurt their feelings and you really care about them.
Our feelings can be hurt, but you can take a yoga class, you can pray, you can play some basketball - you can figure out things for your hurt feelings.
Nobody really wants us. So let us watch and say jaggy things, in the hope that some of them will hurt.
A character does seem to have a life of its own, but I have what I'd describe as a very fluid relationship with them - as I'm thinking of what they will be like, they shift in and out of focus - they are a projection of some idea inside of me, even if a character is inspired by an actual person, I'm well aware that it is not that person. My job is to identify the essence of the character, and to bring them to life long enough to commit the acts, say the words or simply "be" in a way that allows them to affect and be affected by other elements and events in the imaginary world of a story.
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