A Quote by Katherine Heigl

If I have to be focused and watch what I say, then I have to be comfortable. — © Katherine Heigl
If I have to be focused and watch what I say, then I have to be comfortable.
My kids always say to me, 'Can we watch TV?' I say, 'Absolutely!' because then I can get something done. But then they say, and I wait for it, 'But can you watch with us?' My moment of freedom vanishes. So not only do I not think TV's that great and I hate sitting in front of it, but I have to with them.
Certainly on a date, I've been over-focused on, 'Is this person comfortable or not?' and then deciding for them that they are not comfortable and I will help them, which is death for a first date.
Apparently, I'm the angriest man. I don't know. It's just an interpretation. If it was someone else, they might be called focused or competitive. I'm not that angry or grumpy, but if you want to say I'm angry because I'm focused or competitive, then that's okay.
The nudity is down to the individual actor or actress. If they feel comfortable and it's done in a way that they feel comfortable doing, then who am I to say anything?
Now you watch reality TV, you watch them in all those pools or Jacuzzis and I say to myself was I that stupid? But that was me then.
We give you characters we'd feel very comfortable judging, and then go: 'Oh yeah? Watch this'.
The real challenge is when I'm at work, I'm at work. I'm locked in, I'm ready to go, I'm focused. When I'm at home, I'm locked in and I'm ready to go and I'm focused on home. We don't watch the show. We don't watch the news. We don't do any of that stuff. I sit down, I play Barbies. And sometimes the kids will come home and play with me.
I felt voiceless for so long, I wasn't ever able to say what I felt out loud. I didn't know how to say it. Posting online presented itself as a comfortable medium. I could say what I wanted to say in a way I still felt comfortable. Whenever, however I wanted to.
I would say that I probably remember football stuff... but it's not like you see it once and then it's just there. I go back and watch film, watch plays, and, in my brain, I probably only have room for so much.
Usually I'll tell someone, for example, like their watch. If they have a watch on, I might say, 'In three minutes, I'd like to be wearing your watch. Do I have your permission?' Once they say yes, I play a little game with them as I'm interacting with them, and I steal their watch.
Then I see tweets saying it's a shame that they can't watch Marty on the WWE UK show tournament. Then I tell them that I am on ROH, so watch that. Watch me wrestle some of the best wrestlers in the world.
You watch the interview afterwards, and they didn't really say much, but it's interesting, funny, and engaging. Whereas I sit there and look a little bit too serious, and as soon as that happens then you're uncomfortable and you don't want to watch.
I've always thought that the most extraordinary special effect you could do is to buy a child at the moment of its birth, sit it on a little chair and say, "You'll have three score years and ten," and take a photograph every minute. "And we'll watch you and photograph you for ten years after you die, then we'll run the film." Wouldn't that be extraordinary? We'd watch this thing get bigger and bigger, and flower to become extraordinary and beautiful, then watch it crumble, decay, and rot.
There are multiple ways to be externally focused that are very successful. You can be customer-focused or competitor-focused. Some people are internally focused, and if they reach critical mass, they can tip the whole company.
I just try to be true to myself and look the way that I'm comfortable looking. Because if I'm comfortable with me, then you're going to be comfortable with me as well.
To be honest, I would have to say that there was a certain burden in working with Arnold, a big action star. I am aware that Arnold is loved by the American audience, but rather than focusing on working with Arnold, what I focused on was expressing the character, Sheriff Owens, through Arnold the actor and knowing that Arnold and my idea about Sheriff Owens coincided and that it was about Owens protecting a certain value and justice, I focused more on that aspect that helped me to be more comfortable in working with Arnold.
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