A Quote by Katherine Heigl

I don't make big grand gestures, generally. — © Katherine Heigl
I don't make big grand gestures, generally.
I think it's important to do a good job and not to feel that you've got to make grand gestures, but just to get on and deliver.
Gestures are all that I have; sometimes they must be grand in nature.
I don't believe in materialistic gifts and grand gestures.
I do think grand gestures are a hit and miss, especially for girls.
I'm a career prosecutor. I have been trained, and my experience over decades, is to make decisions after a review of the evidence and the facts. And not to jump up with grand gestures before I've done that. Some might interpret that as being cautious. I would tell you that's just responsible.
Outcomes rarely turn on grand gestures or the art of the deal, but on whether you've sent someone a thank-you note.
It's very hard to make grand, romantic gestures on a mandolin, and there are times, particularly when playing Bach, that you long for just a little more sustain. But for better or worse it's my voice, and the trade-off comes with increased intimacy. It's like you're beckoning the audience closer: 'C'mere, I've got something to tell ya.'
Often, organizations need bold, grand gestures to galvanize people towards a new mission or refocus their attention.
What I've come to learn is that the world is never saved in grand messianic gestures, but in the simple accumulation of gentle, soft, almost invisible acts of compassion.
People think about history as all grand gestures or significant moments, but the most valuable lesson we can learn is the enduring legacy of the small, meaningful things in life.
The thing is that the money issue looms so large in art now. And it has absolutely nothing to do with art. If you're painting goes for ten grand or a hundred grand, it doesn't make painting any easier. And it doesn't make the painting any better if it goes for a hundred grand.
When men attempt bold gestures, generally it's considered romantic. When women do it, it's often considered desperate or psycho.
When I was growing up, Nashville was the place to go if you had songs to sell and thought you had talent and wanted to tour and be on Grand Ole Opry [radio show]. It was the big deal back in those days to play the Grand Ole Opry. And you could travel around the world saying, "Hi, I'm Willie from the Grand Ole Opry".
There was no grand scheme, no big push, there are things I would have done differently now but you make decisions on the hop and it takes you where you are.
Small gestures can have a big impact.
Generally speaking, an author's style is a faithful copy of his mind. If you would write a lucid style, let there first be light in your own mind; and if you would write a grand style, you ought to have a grand character.
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