A Quote by Katherine Jenkins
I did once shatter a chandelier. I was singing with my college choir in Wales. I was the soloist and I hit the high note and there was this massive bang and all this glass came down from the ceiling. I'd like that to be my party trick if I can perfect it.
Related Quotes
Belief in oneself is a crucial quality of leadership, because 'a house divided against itself cannot stand.' A leader who fluctuates back and forth sends a very wavery signal. Like the soprano who can shatter glass by finding that high note and holding it, a leader who can hold that high note, without wavering, can shatter walls.
A singer can shatter glass with the proper high note," he said, "but the simplest way to break glass is simply to drop it on the floor.
Don't try to squeeze into a glass slipper. Instead, shatter the glass ceiling.
When I came back from filming the 'Chandelier' video, everyone was like, 'So what'd you wear? What did the room look like? How many chandeliers were there?' And I was like, 'Well, I wore a blond wig, a nude leotard, the room was dirty, and there was no chandelier.'
I've been playing music all my life, from being a choir soloist at Symphony Hall as a youngster to playing in bands through high school and college at Kent State. Went in the service at 17, out before I was 21.
Even when I'm singing on record there's a lot of times when I'll fight for a bit of imperfection. I might not have quite hit the note to the perfect pitch, but there was a soul in there and feeling that,to me, delivers the emotion of that moment. For me, doing a show, the excitement of singing live, and the possibility that you're not going to be perfect - that's the thrill of it.
You can look at any industry and sector and then figure out how high is your glass ceiling. Do you want to diversify or do you want to penetrate the ceiling? Because the ones who break the glass ceiling are going to be big-time winners, but it will be a longer-term view on things and requires a lot more courage, a lot more guts.
I love singing, but I feel very naked and very vulnerable when I'm singing sometimes. With acting, I always think that it doesn't matter what you are as long as you're truthful in that moment. But with singing, you always have to hit the note. It's not like you can just go, 'Oh, it doesn't really matter what note you sing!'
I certainly treasure the memory and indeed the picture, which still hangs in my house in Scotland, of Ronnie Barker and I with the Choir when we came to Wales to shoot our Welsh choir section of the "Two Ronnies" programme. You are very close to my heart.
Although we weren't able to shatter that highest, hardest glass ceiling this time, thanks to you, it's got about 18 million cracks in it.
I sang "O Holy Night" in a school choir. My mother came and listened to me and complimented me. So that was the high point. I cannot sing a note.
Before 'Music and Lyrics,' I was just doing high school plays and singing in my church choir and my school choir.
Singing harmony is not the same as singing a part in a choral group, where you know you're going to have to hit this note and then that note. There are nuances that change every day. Maybe today you have a slight cold or voice fatigue, or you've done something and there's a slight difference in your breathing.
When I went to college at the University of Nevada back in Las Vegas, I got tricked into singing in choir. The first thing we did was the Mozart 'Requiem.' That was the piece that changed my life overnight.
I did recording sessions as a musician as well as a background vocalist and enjoyed every minute of it. I remember singing harmony with Waylon Jennings on a few songs that were hits. Chet Atkins always put me up so high that I strained to hit every note. It was a lot of fun.
And they were writing scripts where Christine had hit the glass ceiling. And I always thought Christine would never hit the glass ceiling. I thought her dreams would take her. Maybe her dreams wouldn't take her where she wanted, but she still had her dreams.
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