A Quote by Katherine Jenkins

I sing a mixture of everything from opera, folk music, Broadway. It's a mix of things. — © Katherine Jenkins
I sing a mixture of everything from opera, folk music, Broadway. It's a mix of things.
There's been a time where I was like, I wanna be a folk singer; no, I wanna sing soul. I want to sing classical music. I want to sing R&B. I want to be on Broadway. I just wanna sing. Whatever comes out of my mouth, that's what I want to do.
My first band was an Argentinian folk group when I was 10. When I was 12 I had my electric guitar, and by the time I was 13, the Beatles came into the scene, and that was over. So I have a mixture of all these traditions, and I think that's who I am, a mixture of everything.
I think what makes the Byrds stand up all these years is the basis in folk music. Folk music, being a timeless art form, is the foundation of the Byrds. We were all from a folk background. We considered ourselves folk singers even when we strapped on electric instruments and dabbled in different things.
I think there's a difference between the type of folk music that people put into the box of "folk music" and then there's the kind of folk music that I aspire to and am in awe of, and that is the kind of folk music where it's very limited tools - in most cases a guitar, in a self-taught style that is idiosyncratic and particular to that musician.
It's weird, in New York, it's like the big theme of everything is folk music and interacting with people. Maryland is where the landscape of our music comes from, it was more like, let's walk around. People are saying that we are part of some sort of folk scene. We don't feel connected with it. We do live in the city, and communicate with people. It's all folk music.
People sing each other's songs and they cultivate standards. That's the reason why we have folk music and folk stories. History is told through song.
People don't listen to one radio station. On iTunes you can mix different worlds and bring country and pop and folk and live music together with a mass audience. I could have sung 'Easy' in a country way but I just sang it how I sing. I think it's a really nice blend.
Northeastern folk music influenced me from a very young age. Sachin Dev Burman is one of the inspirational musicians in Indian film music. The way he fused folk music with his signature style is amazing. So, I am aware of the beauty of northeast folk music.
One of the first things I created was music for the Paris opera's ballet troupe. That was the first time that electronic music was played at the opera. I really like the relationship between the music and the choreography.
If someone asked what kind of music I play, I wouldn't say I'm a folk singer; however, if folk music means music for the people, and playing music to entertain them and share different messages, then sure, I'd like to think that I'm part folk singer.
And whether or not you're interested in opera or classical music or folk music or the theatre, I think that for a nation's health and well-being it's very important that the arts scene is supported.
There are two types of folk music: quiet folk music and loud folk music. I play both.
New Orleans had a great tradition of celebration. Opera, military marching bands, folk music, the blues, different types of church music, ragtime, echoes of traditional African drumming, and all of the dance styles that went with this music could be heard and seen throughout the city. When all of these kinds of music blended into one, jazz was born.
I think the Flecktones are a mixture of acoustic and electronic music with a lot of roots in folk and bluegrass as well as funk and jazz.
You hear about Broadway your whole life, and I learned what it meant to work on Broadway in 'The Phantom of the Opera.'
All music is folk music. I ain't never heard a horse sing a song.
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