A Quote by Katherine Jenkins
I wasn't the best in my class at the Royal Academy. There was a really good soprano and baritone who were technically better and are doing really well in opera now. But I was definitely the best mezzo-soprano in my class, because I was the only one of those!
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The soprano has all those other instruments in it. It's got the soprano song voice, flute, violin, clarinet, and tenor elements and can even approach the baritone in intensity.
Opera is when a tenor and soprano want to make love, but are prevented from doing so by a baritone.
I think I have got a peculiar voice really, it neither one thing nor the other. It's not a contralto and it's not a mezzo soprano; it's a nothing voice really.
I really wanted to be an opera soprano.
I hardly ever belted; I was a soprano and a comedienne and intended on doing mostly soprano legit roles but my first equity show, to my surprise, was Blues in The Night at The Cleveland Playhouse.
You can't sing baritone when you're a soprano.
I'm a mezzo-soprano, so the whole diva thing... I'm not the kind of performer who puts on a persona off-stage as well, and the days of arriving with steamer trunks and hat boxes are over.
That just shows you their type of class and integrity. They claim to be first class and the best organization. It's an embarrassment and it shows the lack of class that they really have.....The Eagles would be undefeated right now with Green Bay's quarterback. We'd probably be in a much better position with him on the team (instead of present Eagles quarterback Donavon McNabb).
I've always been really ambitious, whatever I do. At school, I always wanted to be the best in the class - no, it wasn't enough to be the best in the class, I'd want to be the best in the country.
I don't really class myself as a musician, I can make music but I'm not the greatest technically. There were other people who were technically better than me in school but I knew how I wanted to sound and all I needed was to work out how to do it.
Opera was an enormous part of my childhood. My parents were both opera buffs, and they met in the box seat of an opera performance. And I also was a boy soprano, so before puberty hit, I was onstage playing a wide variety of orphans and urchins in all sorts of operas, and the sheer melodrama of their stories was just always appealing to me.
I trained at a conservatory as a mezzo-soprano and was a musical theater major in college so I had a theater background.
I don't know anybody who said, 'I love that teacher, he or she gave a really good homework set,' or 'Boy, that was the best class I ever took because those exams were awesome.' That's not what people want to talk about. It's not what influences people in one profession or another.
Everything has become so pop-rock oriented that finding a role for a soprano, and finding an audience for a soprano, is tricky. Unless you're dealing with a revival, which is why I do so many revivals - because my specific tone and vocal quality lends itself to that type of writing.
I was being singled out as the best in the class at this, that and the other, nearly always to do with art. And then I was a very good swimmer from a very early age, and once again the best in the class, and when I was about five or six, I was the best in the school.
I get really worried, like if they say, 'Take vocal lessons,' or something because it's kind of like I used to really love to draw when I was a kid and then I took like an art class - because everyone said, 'Oh, you're so good, you should take a class and maybe you can be really good,' and then I went to the class and then they showed me how to use a ruler and perspective and all this stuff and it totally made me not want to do it at all.
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