A Quote by Katherine Jenkins
I do not understand where the idea came from that opera is only for privileged people, I am as happy singing before 70,000 people at the Millennium Stadium, as I am in front of a few hundred in a small concert hall.
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I can't understand it myself - how nervous I was when I took the floor for 'Strictly Come Dancing.' I walk out with 50,000 people gathered in the Millennium Stadium to fight Mikkel Kessler in the unification fight for the super middleweight division in 2007, and I feel great... and here I am, wearing tight pants and Cuban heels, and freaking out.
When you're singing before 15,000 people at a summer concert outside, you need to look beautiful, because that's what people want.
I'm more comfortable performing in front of 50,000 people than five people - it's easier. When there's that many people, I feel like I'm alone. When I perform in front of only a few people, it's scary.
For me, the most enjoyable type of singing is opera. It allows you to move, to wear a costume ... to do something with your body. When singing in concert you have to stand up in front of the audience, next to the conductor, which is less natural.
For me, the most enjoyable type of singing is opera. It allows you to move, to wear a costume... to do something with your body. When singing in concert, you have to stand up in front of the audience, next to the conductor, which is less natural.
I want a room that I can definitely pack out. I don't want to sweat that part, "Am I gonna have enough people?" So I usually pick like a hundred, a relatively small room. Also, I'm looser in a small room. I don't want to record an album in front of a thousand people, not that I could draw a thousand, but I just want a room that I can really work back to front. That's just a very comfortable place for me to be loose.
I am holed up in a small village where I am doing my own work and it feels great. I have a small gallery and not many people find me, but I am happy being left alone and doing what I love.
While I was in Astana, a ballet master from St. Petersburg's Mariinsky Theatre staged a performance of 'Giselle' in the opera hall. It was one of only a few performances to grace Astana's concert spaces in many weeks, and tickets were impossible to come by.
We tend to forget that in those days before the Internet and HBO and Imax and 3-D cinema, opera was the thing. Opera and theatre. If you were a man of the world and you mingled among the happy few, you would be at the opera.
I'm much more comfortable and confident running out on the field in front of 70,000 people instead of standing in front of a camera trying to say some lines. The people who do that as a profession are very talented because it's certainly not easy.
And as far as the Disney Concert hall is concerned, it is a wonderful modern structure and I am extremely honored that I had this opportunity to have a concert here.
I am not dealing with footballers, I am dealing with people. They have fears and worry about failing and making fools of themselves in front of 80,000 people. I have to make them see that without each other they are nothing.
You have a lot of educating to do hip-hop wise in Europe. When you tour, when you go out there, most of the people that come see you at the venue listen to a lot of different kinds of music, not only hip-hop; they're not heads. From time to time you're going to do a little concert in front of three or four hundred people that are only hip-hop heads and they're going to understand and know all about the gimmicks and the swagger but the rest of the people are just regular European people that listen to pop [or] rock & roll.
That was pretty crazy, going from singing in my room to singing in front of 5,000 people.
I can remember an Inter-Verona and we arrived at the stadium an hour and a half before kick-off and there were already 85,000 fans screaming our names. It sent shivers down your spine. I am proud of one thing and that is that I really gave all of my energy for those people.
I'm much more comfortable and confident running out on the field in front of 70,000 people instead of standing in front of a camera trying to say some lines.
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