A Quote by Katherine Johnson

I don't have a feeling of inferiority. Never had. I'm as good as anybody, but no better. — © Katherine Johnson
I don't have a feeling of inferiority. Never had. I'm as good as anybody, but no better.
Everybody has an inferiority complex when they step into a room. But then when you have children and you get older, it doesn't really matter. When I was young I had so many inferiority complexes. I had an inferiority complex because I didn't go to university. I had an inferiority complex because I didn't train.
We had a good education, but we didn't walk away feeling better than anybody else.
When I was young I had so many inferiority complexes. I had an inferiority complex because I didn't go to university. I had an inferiority complex because I didn't train. Then it gets tiring. And you do get bored of it.
When I was young I had so many inferiority complexes. I had an inferiority complex because I didn’t go to university. I had an inferiority complex because I didn’t train. Then it gets tiring. And you do get bored of it.
There is no better feeling than the feeling that I have done something right. That feeling comes so rarely and is so fleeting that I can never really enjoy it. So in a way, it's not a good feeling at all.
To be a human being means to possess a feeling of inferiority which constantly presses towards its own conquest. The greater the feeling of inferiority that has been experienced, the more powerful is the urge for conquest and the more violent the emotional agitation.
The striving for significance, this sense of yearning, always points out to us that all psychological phenomena contain a movement that starts from a feeling of inferiority and reach upward. The theory of Individual Psychology of psychological compensation states that the stronger the feeling of inferiority, the higher the goal for personal power.
I've never really had anybody close to me die. I think the song is about a feeling that I have that, it still applies. It's a feeling of longing, once again.
You never feel better than when you start feeling good after you've been feeling bad.
I'm a pretty easygoing guy. I'm not hard to get along with. I never had anybody that I had trouble with. On the other team, sometimes you don't like players because of the way they act, but then you get to know them and then they're very good people. But I never disliked anybody.
You can never satisfy other people, I learned. End of the day, it's extremely important that you know yourself better than anybody else, and if you can do that, it doesn't matter what anybody thinks about you, good or bad.
I, personally, have had to rise above my feelings of inferiority to my sister Anjelica, not to mention feeling sorry for myself because I lost my mother so young.
I had this inferiority complex as a child, as I was not good at speaking. I was also not good in studies or sports and would often flunk in four-five subjects.
When interviews are good, the conversation can be amazing. Sometimes I've had conversations with journalists that I've never had with anybody else.
I didn't write the memoir with any sort of intention of feeling better. I wrote the memoir because I had a weird need to write a good story. But once I was done, I did feel better about myself. Not better, just calmer. Because a tremendous onus had been lifted off my day-to-day.
One of the surest tests of the superiority or inferiority of a poet is the way in which a poet borrows. Immature poets imitate mature poets steal bad poets deface what they take and good poets make it into something better or at least something different. The good poet welds his theft into a whole of feeling which is unique utterly different than that from which it is torn the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time or alien in language or diverse in interest.
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