A Quote by Katherine Kelly

I'm 30; I don't have any commitments, and there are great parts out there that I want to play. — © Katherine Kelly
I'm 30; I don't have any commitments, and there are great parts out there that I want to play.
I'll always be figuring out what parts I want to play, because I want to play all parts. I'm a very hungry actress.
I think I'm always subconsciously trying to write the ideal school play. Lots of parts for everybody, great parts for women - don't forget, more girls try out than boys in the school play; everyone gets to be in the school play.
I want variety. I certainly don't want any kind of hype if I can avoid it. I'm trying to play parts which are a little more out there, but I want variety, I suppose, because - like a lot of people - I'm easily bored.
I take them both seriously - I don't particularly want to be an 'actor-musician.' I want to play the great challenging parts, to be right for the part, rather than just, 'Oh, he can play the fiddle.'
I don't think I want to play title roles. I don't want to be the face on the poster. I don't want that pressure of having the success riding on my shoulders. I just want to play the most interesting parts. I actually think it's incredibly rare to get an interesting female character that is the lead in a film. Usually the character parts are so much more interesting to play.
I want to keep doing interesting work with interesting people in whatever form that may take, but I want to play the big parts of classical theatre; I want to go on stage and play great Shakespearean roles and, at the same time, do amazing, challenging indie films and comedy, and I want to do it all. I am greedy.
Take of London fog 30 parts; malaria 10 parts, gas leaks 20 parts, dewdrops gathered in a brickyard at sunrise 25 parts; odor of honeysuckle 15 parts. Mix. The mixture will give you an approximate conception of a Nashville drizzle.
The only parts I like out of any of those women books is the dirty parts. But I don't think their dirty parts are any good, really.
I want men to be asking to play great female parts!
I'm just naturally gravitating towards different things. As you mature, different subject matters. And as you're older, you can't play as many parts, or you shouldn't be playing the parts that you used to play. But also there's the opportunity to play parts that you couldn't have.
Of course the U.K., and its component parts, should seek out as many connections with as many parts of the world as is profitable and feasible. But to play any kind of global role effectively, the U.K. is likely always to require allies within its own continent, and far more enterprise needs devoting to this.
Commitments present themselves in delineations of black and white. You either honor your commitments or you don't. Success is the result of making and keeping commitments to your self and others, while all failed or unfinished goals, projects and relationships are the direct result of broken commitments. It's that simple, that profound, and that important.
When I was very young I was never pretty or beautiful and didn't get the chance to play many parts I'd have loved to tackle: the great Shakespearean parts - Viola, Helena.
I'm trying to play parts which are a little more out there, but I want variety.
I don't really want to play parts that I think are not fully developed or fleshed out, especially with female roles.
You want to make a little money, and sometimes you want to play some really great parts. Sometimes they don't always coincide, or co-exist. Sometimes you've got to do good parts for no money and... You know, I sometimes can't do movies just for the money. I really can't. I mean, I've tried. Believe me, I'd love to just take the money and run. That might just be part of the equation, but there has to be something there. You have to be somewhat creatively satisfied.
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