A Quote by Katherine Kelly
If you drop a line in the theatre, you can usually find a way round it. But you can't do that as easily on television - you're in the hands of too many people.
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There is a trend in the whole [U.S.] culture toward making things shorter. People have been watching too much television, and they have a television mentality. I think people really are wary of sitting in a theatre too long. They're not used to it.
Too many cars, too many factories, too much detergent, too much pesticides, multiplying contrails, inadequate sewage treatment plants, too little water, too much carbon dioxide - all can be traced easily to too many people.
When I was doing theatre in Mumbai, actors won't come because they had television. For many years, I did theatre religiously and in Mumbai, I saw people disrespecting it and it hurt me very badly.
I don't like the way people cherish the ghetto, as if it’s some royal palace, or kingdom. I also don't like the way people treat each other in the ghetto. It is really hard to find love, trust, and respect. You don't find too many people that want to do better for themselves in the ghetto because so many people seem to be satisfied with where they're at.
Rather than disliking theatre, I've expressed a preference for television because it tends to deal in its small way much more with issues and is able to reach a broader church of people than theatre.
Television isn't inherently good or bad. You go to a bookstore, there are how many thousands of books, but how many of those do you want? Five? Television's the same way. If you're going to show people stuff, television is the way to go. Words and pictures show things.
In theatre, once you've got the character and you've got things together, you can relax into it. Film has a different feel - you don't get that through line of not stopping. Theatre is like a snowball gathering momentum and getting bigger, whereas in film, it's a bit stop and start - but you do tend to adjust to that quite easily.
I've been asked to do small parts in films, but you know, what I've learned in the 12 Steps of Recovery is that for me, being a public person, is not a very healthy thing. There's too many drugs, too many jets, too many girls, too many parties. It's just not my lifestyle. I'm 58 years old. A good round of golf is about as exciting as my life gets.
Movies have gotten dull, the way network television got dull. And television, if we can still even call it that, is still really exciting and riveting and people are totally into it. I am always meeting people who have these favorite shows that they are completely wired too and not only have I never seen it but I don't even know how to find it.
When I was doing fringe theatre, my ambition was to do repertory. When I got to rep it was to do national theatre; then it was t,o get a couple of parts in television. I never had this great desire to overreach myself. I was too busy enjoying acting. I was just obsessed with it.
In much postmodern theatre ... the line between theatre and non-theatre is deliberately erased.
I like to use my hands. When I was in theatre in college, that was one of my biggest notes: 'You use your hands too much.'
I like to use my hands. When I was in theatre in college, that was one of my biggest notes: 'You use your hands too much.
I like a round nail and not too long. I like to have control of what I do with my hands. I don't want hands longer than my legs.
On the one hand, young theatre directors were coming to television theatre, because they wanted to get closer to the cinema, despite having studied and worked for the theatre.
The people look forbidding, solemn, marked by that impossible ideal, Communism, which, like Christianity, seemed to demand too much of humanity and, falling into the wrong hands, led too easily to horrible brutality.
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