A Quote by Katherine Kelly

I just take every script as it comes along and take it from there. — © Katherine Kelly
I just take every script as it comes along and take it from there.
Every time I think I'm going to take it slow, a good script comes along.
You just have to take these opportunities when they come along. They're not that frequent; you'll get a really good script, oh, maybe once a year if you're lucky.
Sometimes you take a job for the money, sometimes you take it for the location, sometimes you take it for the script; there are just a number of reasons, and ultimately what you see is the whole landscape of it. But I can tell you from behind the scenes - that's what it is, as an actor.
Doing a film and saying, I've done a really dark film and now I have to do a comedy... That's not me. If a script comes along and it's dark I'll absolutely do it and take the consequences. I'm not fussed about the image that goes along with it.
I always take part in the creative process of every film of mine. Gone are the days where an actor would walk into the sets, finish his portions, take the money, and leave. In fact, I've been accused of being interfering - but that's the way I am. It is important for every actor to get involved with the script.
I'm very picky when saying yes to a script. I take a very long time to decide myself because I spend a lot of time with this and so to take parts where I think I can take something from my life as well. It must be interesting for me.
Every breath you take and every move you make Every bond you break, every step you take I'll be watchin' you Every single day and every word you say Every game you play, every night you stay I'll be watchin' you
When someone new takes over a role, the company doesn't change anything from the script, but they do lay it all out there and let people take from it what they take from it.
Making mistakes doesn't mean that what you did was a failure, or the wrong take. It was just a 'mis-take.' You need to go back and do another take. In each take there is a lesson.
With every script, I write a note to my collaborator that says: 'I write full script. But see it as a guide. You take us where we need to go any way you see fit. I tried to write something specifically for you. If you agree with my choices, fine. If not, you do what you have to do.'
I used to just take every job that seemed relatively appealing. But now I take a job and it's in the trades the next day - it feels like people are watching and waiting to see what you do, and when you do take a job, attention is noted.
I'd take about 40 thousand CDs, and then take about three full vans of people to hit every hood, every mall, and every club. Just hit one city to the next.
Every opportunity I get, I just try to take advantage of it, embrace it and take everything in.
Auschwitz was one of the wealthiest places in the world. Everyone who was deported there had been in such a hurry that they were only able to take along the things they loved the most. Well, of course, a musician would take along her instrument. But then they would take these precious possessions away from the prisoners once they arrived. All these things were kept in a part of the camp the prisoners called "Canada." It was like a giant warehouse.
I have absolutely no preference on TV or stage. Every job I take or that I audition for all comes down to the quality of the script.
I take time with my films and I want to work on every script properly before I move on to something else.
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