A Quote by Katherine Mansfield
No, no the mind I love must still have wild places - a tangled orchard where dark damsons drop in the heavy grass, an overgrown litde wood, the chance of a snake or two (real snakes), a pool that nobody's fathomed the depth of, and paths threaded with those litde flowers planted by the wind.
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You sleep with a dream of summer weather,
wake to the thrum of rain—roped down by rain.
Nothing out there but drop-heavy feathers of grass
and rainy air. The plastic table on the terrace
has shed three legs on its way to the garden fence.
The mountains have had the sense to disappear.
It's the Celtic temperament—wind, then torrents, then remorse.
Glory rising like a curtain over distant water.
Old stonehouse, having steered us through the dark,
docks in a pool of shadow all its own.
That widening crack in the gloom is like good luck.
Luck, which neither you nor tomorrow can depend on.
The mind I love must have wild places.
My love is like the wind and wild is the wind. Give me more than one caress, satisfy my hungriness. Let the wind blow through your heart for wild is the wind.
We are not mad. We are human.We want to love, and someone must forgive us for the paths we take to love, for the paths are many and dark, and we are ardent and cruel in our journey.
[St. Patrick] was a terror to any snake that came in his path, whether it was the cold, slimy reptile sliding along the ground or the more dangerous snake that oppresses men through false teachings. And he drove the snakes out of the minds of men, snakes of superstition and brutality and cruelty.
The day is cold, and dark, and dreary; It rains, and the wind is never weary; The vine still clings to the mouldering wall, But at every gust the dead leaves fall, And the day is dark and dreary. My life is cold, and dark, and dreary; It rains, and the wind is never weary; My thoughts still cling to the mouldering past, But the hopes of youth fall thick in the blast, And the days are dark and dreary. Be still, sad heart! and cease repining; Behind the clouds is the sun still shining; Thy fate is the common fate of all, Into each life some rain must fall, Some days must be dark and dreary.
Like paths and alleys overgrown with hardy, rank-growing weeds, the words we use are overgrown with our individual, private, provincial associations, which tend to choke the meaning.
As dew leaves the cobweb lightly Threaded with stars, Scattering jewels on the fence And the pasture bars; As dawn leaves the dry grass bright And the tangled weeds Bearing a rainbow gem On each of their seeds; So has your love, my lover, Fresh as the dawn, Made me a shining road To travel on, Set every common sight Of tree or stone Delicately alight For me alone.
Stories open up new paths, sometimes send us back to old ones, and close off still others. Telling and listening to stories we too imaginatively walk down those paths - paths of longing, paths of hope, paths of desperation.
There was a little corner of his mind that was still his own, and light came through it, as though a chink in the dark: light out of the past. It was actually pleasant, I think, to hear a kindly voice agin, bringing up memories of wind, and trees, and sun on the grass, and such forgotten things.
Love is not a hot-house flower, but a wild plant, born of a wet night, born of an hour of sunshine; sprung from wild seed, blown along the road by a wild wind. A wild plant that, when it blooms by chance within the hedge of our gardens, we call a flower; and when it blooms outside we call a weed; but, flower or weed, whose scent and colour are always, wild!
We must remain as close to the flowers, the grass, and the butterflies as the child is who is not yet so much taller than they are. We adults, on the other hand, have outgrown them and have to lower ourselves to stoop down to them. It seems to me that the grass hates us when we confess our love for it. Whoever would partake of all good things must understand how to be small at times.
We either have wild places or we don't. We admit the spiritual-emotional validity of wild, beautiful places or we don't. We have a philosophy of simplicity of experience in these wild places or we don't. We admit an almost religious devotion to the clean exposition of the wild, natural earth or we don't.
Tis moonlight, summer moonlight,
All soft and still and fair;
The solemn hour of midnight
Breathes sweet thoughts everywhere,
But most where trees are sending
Their breezy boughs on high,
Or stooping low are lending
A shelter from the sky.
And there in those wild bowers
A lovely form is laid;
Green grass and dew-steeped flowers
Wave gently round her head.
He was clearly related to Declan: same nose, same dark eyebrows, same phenomenal teeth. But there was a carefully cultivated sense of danger to this Lynch brother. This was not a rattlesnake hidden in the grass, but a deadly coral snake striped with warning colors. Everything about him was a warning: If this snake bit you, you had no one to blame but yourself.
I came from an environment where if you see a snake, you kill it. At General motors, if you see a snake, the first thing you do is to hire a consultant on snakes.
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