A Quote by Katherine Mansfield

The fields are snowbound no longer; There are little blue lakes and flags of tenderest green. The snow has been caught up into the sky- So many white clouds-and the blue of the sky is cold. Now the sun walks in the forest, He touches the bows and stems with his golden fingers; They shiver, and wake from slumber. Over the barren branches he shakes his yellow curls. Yet is the forest full of the sound of tears.... A wind dances over the fields. Shrill and clear the sound of her waking laughter, Yet the little blue lakes tremble And the flags of tenderest green bend and quiver.
All those golden autumn days the sky was full of wings. Wings beating low over the blue water of Silver Lake, wings beating high in the blue air far above it . . . bearing them all away to the green fields in the South.
I let my head fall back, and I gazed into the Eternal Blue Sky. It was morning. Some of the sky was yellow, some the softest blue. One small cloud scuttled along. Strange how everything below can be such death and chaos and pain while above the sky is peace, sweet blue gentleness. I heard a shaman say once, the Ancestors want our souls to be like the blue sky.
Anyone who sees and paints a sky green and fields blue ought to be sterilized.
It was one of those winter days that suddenly dream of spring, when the sky is blue and soft and clear, and the wind has dropped its voice and whispers instead of screaming, and the sun is out and the trees look surprised, and over everything there is the faintest, palest tint of green.
It was a morning of ground mist, yellow sunshine, and high rifts of blue, white-cloud-dappled sky. The leaves were still thick on the trees, but de-spangled gossamer threads hung on the bushes and the shrill little cries of unrest of the swallows skimming the green open park spaces of the park told of autumn and change.
At present I absolutely want to paint a starry sky. It often seems to me that night is still more richly coloured than the day; having hues of the most intense violets, blues and greens. If only you pay attention to it you will see that certain stars are lemon-yellow, others pink or a green, blue and forget-me-not brilliance. And without my expatiating on this theme it is obvious that putting little white dots on the blue-black is not enough to paint a starry sky.
If you were a cloud, and sailed up there, You'd sail on water as blue as air, And you'd see me here in the fields and say: 'Doesn't the sky look green today?
I turn and I look back across the lake. The mist is gone and the ice diminished, the drip of the icicles quick and heavy. The sun is up and the sky is blue empty blue light blue clear blue. I would drink the sky if I could drink it, drink it and celebrate it and let it fill me and become me. I am getting better. Empty and clear and light and blue. I am getting better.
This unlikely story begins on a sea that was a blue dream, as colorful as blue-silk stockings, and beneath a sky as blue as the irises of children's eyes. From the western half of the sky the sun was shying little golden disks at the sea--if you gazed intently enough you could see them skip from wave tip to wave tip until they joined a broad collar of golden coin that was collecting half a mile out and would eventually be a dazzling sunset.
The water is this marvellous blue. It’s so blue that once you see it you realise you’ve never seen blue before. That other thing you were calling blue is some other colour, it’s not blue. This, this is blue. It’s a blue that comes down from the sky into the water so that when you look in the sea you think sky and when you look at the sky you think sea.
However constant the visitations of sickness and bereavement, the fall of the year is most thickly strewn with the fall of human life. Everywhere the spirit of some sad power seems to direct the time; it hides from us the blue heavens, it makes the green wave turbid; it walks through the fields, and lays the damp ungathered harvest low; it cries out in the night wind and the shrill hail; it steals the summer bloom from the infant cheek; it makes old age shiver to the heart; it goes to the churchyard, and chooses many a grave.
Silver flow the streams from Celos to Erui In the green fields of Lebennin! Tall grows the grass there. In the wind from the Sea The white lilies sway, And the golden bells are shaken of mallos and alfirin In the green fields of Lebennin, In the wind from the Sea!
So, probably … when I started painting the pelvis bones I was most interested in the holes in the bones — what I saw through them- particularly the blue from holding them up in the sun against the sky as one is apt to do when one seems to have more sky than earth in one’s world … they were most beautiful against the Blue — that Blue that will always be there as it is now after all man’s destruction is finished.
Four ducks on a pond, / A grass-bank beyond, / A blue sky of spring, / White clouds on the wing: / What a little thing / To remember for years - / To remember with tears!.
The first thing I notice is the sky, so full of blue and the kind of brilliant white clouds that make you ecstatic to have eyes. Nothing can go wrong under this sky.
My copy of 'Night' is dog-eared. The pages are filled with plastic colored 'flags' that are blue, green, purple, and yellow. Vocabulary is in the margins; phrases and sentences are underlined, some with pencil, and some with pen. Many words are circled.
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