A Quote by Katherine Mansfield

I'm a writer first and a woman after. — © Katherine Mansfield
I'm a writer first and a woman after.
If you're a woman writer, sometime, somewhere, you will be asked: Do you think of yourself as a writer first, or as a woman first? Look out. Whoever asks this hates and fears both writing and women.
I want to be identified as a writer, not a Southern writer, not a woman writer, not a woman from this or that place, but unfortunately it doesn't always happen.
I would be ecstatic if the very first writer to step foot in a Storyknife cabin was an Alaska Native woman writer.
I first thought about becoming a writer after the age of 30, which is rather late, I'd say. In my 20s, I wasn't especially good at anything, and I didn't have a lot of experiences. I was just a young woman without a good job.
Six years after I wrote the first draft of 'Plan B,' I received my first paycheck as a writer. It included both the $3,000 in deferred option money as well as half the fee for performing the initial rewrite. The amount was scale according to the Writer's Guild guidelines, but a lot, according to me.
Being a writer is a very difficult craft. Just like learning an instrument, it takes a long time and I couldn't really say I was a writer even after my first memoir.
When I did the first 'Matrix,' after it came out, I had a woman come up to me and just thank me for Trinity because she was an action writer. She said she was getting really good opportunities now.
The first thing a writer has to do is find another source of income. Then, after you have begged, borrowed, stolen or saved up the money to give you time to write and you spend all of it staying alive while you write, and you write your heart out, after all that, maybe no one will publish it, and if they publish it, maybe no one will read it. That is the hard truth, that is what it means to be a writer.
No black woman writer in this culture can write "too much". Indeed, no woman writer can write "too much"...No woman has ever written enough.
I say "on principle" [regarding 'lesbian writer'] because whenever you get one of your minority labels applied, like "Irish Writer," "Canadian Writer," "Woman Writer," "Lesbian Writer" - any of those categories - you always slightly wince because you're afraid that people will think that means you're only going to write about Canada or Ireland, you know.
The writer in me can look as far as an African-American woman and stop. Often that writer looks through the African-American woman. Race is a layer of being, but not a culmination.
I was the first woman British commissioner, the first woman trade commissioner, so I am also proud to be the first woman High Representative.
Of course I'm a black writer... I'm not just a black writer, but categories like black writer, woman writer and Latin American writer aren't marginal anymore. We have to acknowledge that the thing we call "literature" is more pluralistic now, just as society ought to be. The melting pot never worked. We ought to be able to accept on equal terms everybody from the Hasidim to Walter Lippmann, from the Rastafarians to Ralph Bunche.
No theoretician, no writer on art, however interesting he or she might be, could be as interesting as Picasso. A good writer on art may give you an insight to Picasso, but, after all, Picasso was there first.
First woman of colour, first Black person and first Jewish woman elected to lead a major federal party - it was never going to be a walk in the park.
After a golfer has been out on the circuit for a while he learns how to handle his dating so that it doesn't interfere with his golf. The first rule usually is no woman-chasing after Wednesday.
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