A Quote by Katherine McCoy

I am convinced that abstract form, imagery, color, texture, and material convey meaning equal to or greater than words. — © Katherine McCoy
I am convinced that abstract form, imagery, color, texture, and material convey meaning equal to or greater than words.
In my mind, numbers and words are far more than squiggles of ink on a page. They have form, color, texture and so on. They come alive to me, which is why as a young child I thought of them as my 'friends.'
In the work of Seurat, you can see the dots of neutral colors carrying the form and then the dots of more intense color that make the color texture. It is a totally different principle that than of the Impressionists who used broken color to imitate visual effect.
Comics are a "young" art form, and there is much confusion as to how to treat them. Images have more immediate impact than words, and it is not every reader who can be convinced to relax into experiencing the work for what it is - not words and pictures, but a different form, where the narrative is propelled by the blending of image, word and sequence, and where no element can be extricated and have the same meaning by itself. When this art is shown in a gallery, its "thingness" is called to attention, it is no longer experienced as "story," but rather as an artifact of the artist's process.
For example, in painting the form arises from abstract elements of line and color, while in cinema the material concreteness of the image within the frame presents - as an element - the greatest difficulty in manipulation.
The meaning of a word - to me - is not as exact as the meaning of a color. Colors and shapes make a more definite statement than words.
There is something like an explosion in the meaning of certain words: they have a greater value than their meaning in the dictionary.
More than ever, I am convinced that history has meaning - and that its meaning is terrifying.
When I adjust materials of different kinds to one another, I have taken a step in advance of mere oil painting, for in addition to playing off color against color, line against line, form against form, etc., I play off material against material, for example, wood against sackcloth.
There is something myopic and stunted in focussing only on the meaning of words and sentences. And this myopia is especially unfortunate when combined with a rather abstract view of a language as a set of elements and rules for combining these. For the result is to divorce enquiry into meaning from attention to the way words - and gestures, facial expressions, rituals and so on - are embedded in practices, in what Wittgenstein called 'the stream of life'.
Color is sensitivity in material form, substance in its purest form.
I'm very concerned with questions of language. This is what I think of when I think of myself as a writer: I'm someone who writes sentences and paragraphs. I think of the sentence - not only what it shares but, in a sense, what it looks like. I like to match words not only in a way that convey a meaning, possibly an indirect meaning, but even at times words that have a kind of visual correspondence.
Communicate with visual literacy - Make good use of all the non-verbal ways of communication - color, shape, form, texture.
One of the things I like about music is it's an abstract art, totally abstract, where you can convey an emotion, which I find amazing.
This is the power of myth: that we can experience invisible spiritual realities and truths greater than visible, material things in story form.
Where can we find greater structural clarity than in the wooden buildings of the old. Where else can we find such unity of material, construction and form? Here the wisdom of whole generations is stored. What feelings for material and what power of expression there is in these buildings! What warmth and beauty they have! They seem to be echoes of old songs.
Be able to describe anything visual, such as a street scene, in words that convey your meaning.
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