A Quote by Katherine McNamara

I credit Kansas City with my work ethic and learning from the amazing artists that are in that town. — © Katherine McNamara
I credit Kansas City with my work ethic and learning from the amazing artists that are in that town.
I grew up in Kansas City from when I was about two years old to my mid-teens. Kansas City at the time was an amazing place, because there was so much music going on there. As a kid, I was playing there all the time and learning a lot about music.
People's outlook on Kansas City is always like, 'They let you rap in K.C.?' Or 'How's Dorothy and Toto?' They put Kansas and Kansas City together, when it's really separate.
The Eternal Kansas City song came from a dream sequence. It was actually kind of weird. I had this dream about a Kansas City type of thing while I was up at Stevie Winwood's place near Cheltenham, in Britain. I went into this small town and I was walking along and this dream thing was still in my head.
And Kansas City is at Chicago tonight, or is it Chicago at Kansas City? Well, no matter as Kansas City leads in the eighth 4 to 4.
I do see a big difference in the American work ethic compared to the British work ethic in a lot of artists.
All of the artists that I've worked with have an incredible work ethic. And Madonna has the best work ethic of them all. I've learned a lot from being around her.
Kansas City, well, part of the town's pretty cool, and part of the town is not. But it's gonna be that way no matter where you go.
I was in Kansas for about a month, and we worked most of the time in a very small town, so it felt like the production basically took the whole town over. In a way, we were the Martians in Kansas.
Kansas City is truly an awesome town.
The first professional training I received of any kind was when I was 14 years old and we were in Kansas City, Missouri. I attended the Kansas City Art Institute for one summer.
I talked with Quentin about where the character came from, and he told me Kansas City. I don't know how somebody talks from Kansas City, so I made him from New York.
When I got interested in football, nobody was cheering for Kansas City. Kansas City was trash. I said, 'That's my team.' Then what happens? We get Joe Montana and Marcus Allen.
Robert Altman made that movie Kansas City about the jazz scene in the city, and we saw that band all together, and that was an amazing show. That's what I got into. I like jazz.
I feel so fortunate to have grown up in a town like Kansas City that has such a vibrant theater community.
I'm always working on something. Addiction never gets any credit, always talked about as a total liability, and I'll admit that most of its traits aren't positive in our lives. But there's one amazing thing it gave me: a tireless work ethic.
Playing for the Kansas City Monarchs was like my school, my learning, my world. It was my whole life.
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